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  • AOTG

    Milk: Portable HD Editing

    December 29, 2008, 8:32 pm
    Editor Elliot Graham (21, Superman Returns) used a combination of Avid desktop and laptop editing solutions to handle the project in HD - whether on set during production in San Francisco, near the director’s home in Portland, Ore., or for finishing work in Los Angeles.

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  • Other Postings By Member

    • AOTG
      COLOR

      December 30, 2020, 3:08 pm
      In our Color Code column, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind certain colors and how they play into both the scene and the film as a whole. For his fifth entry, he digs into Todd Haynes’ Carol.

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    • AOTG
      EDITING

      Converting Videos to MP4

      December 29, 2020, 5:40 pm
      I am often asked about transferring VHS or another format to MP4. Since my typical transfer job for a customer is usually to convert a lot of videos to either DVD or USB, I need to carefully consider the most efficient way to do this. One approach is to use a simple interface between the VHS deck and my computer. A device like the”Video 2 PC” converter from Ion enables you to bring the tape into your computer. But you can only do one at a time. Some of the tapes, however, are six hours long. That’s too long to tie up a computer.

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    • AOTG
      VFX

      'Cast Away' and the story behind Imageworks' in-ho

      December 29, 2020, 2:08 pm
      In the 1990s there was a flurry of interest and developments in digital compositing. Many VFX studios had taken on tools like Quantel’s Harry, Kodak’s Cineon, Wavefront’s Composer or Discreet Logic’s Flame, while a number of node-based solutions, such as Digital Domain’s (later Foundry’s) Nuke and Nothing Real’s (later Apple’s) Shake, further emerged in this era.

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    • Episode 279 — Your Next Pay Rise
      VFX

      Episode 279 — Your Next Pay Rise

      December 29, 2020, 2:07 pm
      A lot of us have this myth in our head that if we work hard and stay out of trouble, good things will come our way. That is a mistake. The truth is that it doesn’t work that way. Nobody is paying attention. The other part of it is that we typically wait for our annual review.

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    • AOTG
      VFX

      How VFX Artist Created Beasts and Landscapes

      December 23, 2020, 3:13 pm
      “Monster Hunter” director Paul W.S Anderson calls VFX head Dennis Berardi “an invaluable creative partner.” The two have collaborated on movies dating back to “Resident Evil.”

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    • AOTG
      VFX

      Zack Snyder Thanks Snyder Cut Supporters After Rai

      December 23, 2020, 3:13 pm
      While the chief goal of the Snyder Cut movement was to get director Zack Snyder’s fully realized vision for Justice League out to the masses, it also did some good for charity along the way. Fans have raised a lot of money for the American Foundation for Suicide Prevention in honor of Zack Snyder’s late daughter Autumn, and continue to do so even with Zack Snyder’s Justice League on course for a 2021 release. Now the filmmaker has once again thanked those who have donated money to this worthy cause.

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    • AOTG
      VFX

      A 'Midnight Sky' VFX conversation—Part 1: LED wa

      December 23, 2020, 3:13 pm
      George Clooney’s The Midnight Sky, now streaming on Netflix, follows action both on Earth (in the Arctic) and in space (mainly on the spacecraft Æther). The filmmakers looked to new virtual production methods, in particular LED walls using ILM’s StageCraft technology set up at Shepperton Studios, to help realize icy Arctic environments.

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    • AOTG
      VFX

      The Crown Season Four

      December 22, 2020, 2:19 pm
      Check out Framestore's work for the fourth season of The Crown.

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    • AOTG
      EDITING

      Adobe Premiere Pro, Premiere Rush, and Audition Ge

      December 22, 2020, 2:18 pm
      Premiere Pro, Premiere Rush, and Audition just got native support for new Apple M1 chipsets. These are available in public Beta today. The M1-native Premiere Pro Beta includes the core editing functions and support for the most widely used codecs: H.264, HEVC, and ProRes.

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    • AOTG
      VFX

      VFX Legion Provides OPSIS With VFX Support for Mic

      December 22, 2020, 2:18 pm
      Visualization services company, OPSIS, recently called on VFX Legion to lend its talents to Songbird, director Adam Mason’s new dystopian thriller from producer Michael Bay. As the film’s primary visual effects vendor, OPSIS provided end-to-end services – from Concept, Previs, Postvis and finalizing VFX shots to assembling the right talent for the job. OPSIS integrated Legion into its team, tapping the pioneering remote company’s...

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