Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
January 14, 2011, 10:12 am
ACE has announced their Eddie Awards for Awards Presented at the Beverly Hilton Saturday, February 19, 2011.
To find information about past Eddie Award nominees and winners visit the Internet Movie Database ACE Eddie Award page and click on the individual year for complete listing.
NOMINEES FOR 61st ANNUAL ACE EDDIE AWARDS
BEST EDITED FEATURE FILM (DRAMATIC):
Andrew Weisblum, A.C.E.
Lee Smith, A.C.E.
The King’s Speech
The Social Network
Angus Wall, A.C.E. & Kirk Baxter
BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):
Alice in Wonderland
Chris Lebenzon, A.C.E.
The Kids Are All Right
Jeffrey M. Werner
Made In Dagenham
Scott Pilgrim vs. the World
Jonathan Amos & Paul Machliss
BEST EDITED ANIMATED FEATURE FILM:
Gregory Perler & Pam Ziegenhagen
How to Train Your Dragon
Maryann Brandon, A.C.E. & Darren T. Holmes, A.C.E.
Toy Story 3
Ken Schretzmann & Lee Unkrich, A.C.E.
BEST EDITED HALF-HOUR SERIES FOR TELEVISION:
The Big C: "Pilot"
Brian A. Kates, A.C.E.
Modern Family: "Family Portrait"
Nurse Jackie: "Years of Service"
BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION:
Breaking Bad: "Sunset"
Friday Night Lights: "I Can’t"
Mark Conte, A.C.E.
Bradley Buecker, Doc Crotzer, Joe Leonard & John Roberts
The Good Wife: "Running"
Scott Vickrey, A.C.E.
The Walking Dead: "Days Gone Bye"
BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION:
Boardwalk Empire: "Pilot"
Sidney Wolinsky, A.C.E.
Dexter: "Take It!"
Louis Cioffi, A.C.E.
Treme: "Do You Know What it Means"
Kate Sanford, A.C.E. & Alexander Hall
BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:
The Pacific: "Okinawa"
Marta Evry, A.C.E. & Alan Cody, A.C.E.
Leo Trombetta, A.C.E.
You Don’t Know Jack
BEST EDITED DOCUMENTARY:
Exit Through the Gift Shop
Tom Fulford & Chris King
Chad Beck & Adam Bolt
Waiting for "Superman"
Jay Cassidy, A.C.E., Greg Finton & Kim Roberts
BEST EDITED REALITY SERIES:
The Deadliest Catch: "Redemption Day"
Kelly Coskran & Josh Earl
If You Really Knew Me : "Colusa High"
Rob Goubeau, Jeremy Gantz, Hilary Scratch, Ken Yankee, Mark S. Andrew, A.C.E., Heather Miglin, John Skaare & Paul J. Coyne
Whale Wars 3: "Vendetta"
Yvette Mangassarian-Amirian, Eric Myerson, Michael Caballero, David Michael Maurer & Edward Salier, A.C.E.
November 22, 2017, 6:46 pm
We all know filmmaking takes a lot of planning and preparation, including coming up with a shot list to make principal photography less confusing. But even if you're a run-and-gun shooter who doesn't have a whole lot of time to carefully plan every shot before you shoot it, you can still not only keep your production on the right track but also get the shots you need to make your final edit more dynamic and entertaining. Jordy Vandeput of Cinecom shows you how in the video below.
November 22, 2017, 7:04 am
Image-engine – Kathryn Bigelow’s Detroit is a period piece pressure cooker. Viewers are plunged into the furnace of the infamous 1967 12th Street Riot, and the racially charged Algiers Motel incident stokes the narrative flame. From this central point the film unfolds. Bigelow encloses her tight-knit drama in the chaos of civil upheaval, gradually building an oppressive story of dark deeds.
November 21, 2017, 1:58 pm
John Lasseter, the architect of Pixar and Disney’s juggernaut animation operations, is taking a leave of absence from his post effective immediately. He holds the title Chief Creative Officer of Walt Disney and Pixar Animation Studios, and Principal Creative Advisor for Walt Disney Imagineering.
November 21, 2017, 1:57 pm
irector Martin Scorsese has worked with editor Thelma Schoonmaker for four decades, resulting in editing Oscar wins for three of their movies: The Departed, The Aviator, and, the one that cemented the pair’s working relationship, Raging Bull. The meticulous sports opus is one of the most stylish the director’s ever made, with each scene’s craft leaping out of its stark black and white.
November 21, 2017, 11:27 am
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first about the editing of Sicario and the second time about editing Arrival.
November 21, 2017, 11:19 am
Courses have started for the Fall term, but CGMA hasn’t let up on giving students access to the best resources an aspiring artist could ask for. CGMA, one of the leading providers for a digital arts education, has been working hard to make sure students are well-equipped to enter into the industry with all the skills they need. Admissions help, award-winning instructors, and payment plans starting at $50 to claim your seat are just some of the perks of becoming a CGMA student.
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first abo ...
Gordon sits down with Sidney Wolinsky to discuss the editing of Guillermo del Toro's latest film The Shape of Water.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.