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January 14, 2011, 10:12 am
ACE has announced their Eddie Awards for Awards Presented at the Beverly Hilton Saturday, February 19, 2011.
To find information about past Eddie Award nominees and winners visit the Internet Movie Database ACE Eddie Award page and click on the individual year for complete listing.
NOMINEES FOR 61st ANNUAL ACE EDDIE AWARDS
BEST EDITED FEATURE FILM (DRAMATIC):
Andrew Weisblum, A.C.E.
Lee Smith, A.C.E.
The King’s Speech
The Social Network
Angus Wall, A.C.E. & Kirk Baxter
BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):
Alice in Wonderland
Chris Lebenzon, A.C.E.
The Kids Are All Right
Jeffrey M. Werner
Made In Dagenham
Scott Pilgrim vs. the World
Jonathan Amos & Paul Machliss
BEST EDITED ANIMATED FEATURE FILM:
Gregory Perler & Pam Ziegenhagen
How to Train Your Dragon
Maryann Brandon, A.C.E. & Darren T. Holmes, A.C.E.
Toy Story 3
Ken Schretzmann & Lee Unkrich, A.C.E.
BEST EDITED HALF-HOUR SERIES FOR TELEVISION:
The Big C: "Pilot"
Brian A. Kates, A.C.E.
Modern Family: "Family Portrait"
Nurse Jackie: "Years of Service"
BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION:
Breaking Bad: "Sunset"
Friday Night Lights: "I Can’t"
Mark Conte, A.C.E.
Bradley Buecker, Doc Crotzer, Joe Leonard & John Roberts
The Good Wife: "Running"
Scott Vickrey, A.C.E.
The Walking Dead: "Days Gone Bye"
BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION:
Boardwalk Empire: "Pilot"
Sidney Wolinsky, A.C.E.
Dexter: "Take It!"
Louis Cioffi, A.C.E.
Treme: "Do You Know What it Means"
Kate Sanford, A.C.E. & Alexander Hall
BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:
The Pacific: "Okinawa"
Marta Evry, A.C.E. & Alan Cody, A.C.E.
Leo Trombetta, A.C.E.
You Don’t Know Jack
BEST EDITED DOCUMENTARY:
Exit Through the Gift Shop
Tom Fulford & Chris King
Chad Beck & Adam Bolt
Waiting for "Superman"
Jay Cassidy, A.C.E., Greg Finton & Kim Roberts
BEST EDITED REALITY SERIES:
The Deadliest Catch: "Redemption Day"
Kelly Coskran & Josh Earl
If You Really Knew Me : "Colusa High"
Rob Goubeau, Jeremy Gantz, Hilary Scratch, Ken Yankee, Mark S. Andrew, A.C.E., Heather Miglin, John Skaare & Paul J. Coyne
Whale Wars 3: "Vendetta"
Yvette Mangassarian-Amirian, Eric Myerson, Michael Caballero, David Michael Maurer & Edward Salier, A.C.E.
September 19, 2017, 7:48 am
hen I featured Adam Tinius’ Pulp Fiction soundtrack essay, I noted that Shaun of the Dead has some of my all-time favorite needledrops and cheekily-named song selections. Turns out, Tinius has created the same kind of rapidfire sonic punchline collage with director Edgar Wright’s entire Cornetto Trilogy.
September 16, 2017, 3:31 pm
Jason Ballantine, ASE (Australian Screen Editors) has been in the film industry since 1992 and is currently living in Los Angeles. He has won and been nominated for several Australian Awards for The Great Gatsby, Wish You Were Here and Wolf Creek. He was also a part of the Oscar winning team for Mad Max: Fury Road. In this installment of Art of the Cut, Jason and I discuss his most recent feature, Stephen King’s IT.
September 16, 2017, 3:30 pm
Ultimatte 12 will be demonstrated at IBC 2017, on the Blackmagic Design booth. Discover a new realtime hardware compositing processor that’s perfect for broadcast quality keying and much more.
September 16, 2017, 3:30 pm
The Sennheiser FOCUSMIC Digital is an on-smartphone microphone designed for video journalism and vlogging with iPhones. The microphone is directional and can be quickly orientated for a variety of filming scenarios with your front-facing or rear camera.
September 15, 2017, 1:35 pm
In our third look at MAGIX Vegas Pro we’re looking at a bit more depth when it comes to effects and adding some pizazz to your video. Like many other NLEs, Vegas Pro has a palette full of video effects (more can be added via the Vegas plug-ins) that can be applied using a clip by clip method. You can also apply effects to an entire track without using the adjustment layer way of working that some other NLEs use. But the design of Vegas takes effects one step further and lets you apply effects to the entire project which can give you more options during the edit. If you wanted to apply something like a vignette or color correction to the entire edit you could do that by applying the effect to the video master output.
September 15, 2017, 4:06 am
When audiences inevitably marvel at the computer-generated worlds in Guillermo del Toro's The Shape of Water and the Angelina Jolie-produced animated drama The Breadwinner, both screening at this year's Toronto Film Festival, it will be thanks in large part to Ontario's thriving visual effects community.
September 15, 2017, 4:06 am
If you don't have a streamlined post workflow, you can kiss efficiency and your sanity goodbye. Seriously, one of the best ways to make your life easier in post-production is by maintaining a well-organized workflow, one that not only allows you to work faster but one that also allows you to work smarter so you're not losing great shots and perfect takes in the chaos of post. In this video, Matti Haapoja of TravelFeels shares some insight on how to create and maintain an effective editing workflow by walking you through his process from start to finish.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
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