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December 29, 2008, 8:34 pm
Thanks to his role in Darren Aronofsky’s The Wrestler, Mickey Rourke’s trophy room will soon need a renovation. The awards that he’s been nominated for, or already won, are piling up, but the man who deserves maybe the most thanks is a name very few are familiar with: Andrew Weisblum. The man employed as the movie’s editor, a role that is always the sorely under-appreciated architect of strong plots and performances, had an indispensable role in constructing Rourke’s performance from...
November 21, 2017, 1:57 pm
irector Martin Scorsese has worked with editor Thelma Schoonmaker for four decades, resulting in editing Oscar wins for three of their movies: The Departed, The Aviator, and, the one that cemented the pair’s working relationship, Raging Bull. The meticulous sports opus is one of the most stylish the director’s ever made, with each scene’s craft leaping out of its stark black and white.
November 21, 2017, 11:27 am
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first about the editing of Sicario and the second time about editing Arrival.
November 21, 2017, 11:19 am
Courses have started for the Fall term, but CGMA hasn’t let up on giving students access to the best resources an aspiring artist could ask for. CGMA, one of the leading providers for a digital arts education, has been working hard to make sure students are well-equipped to enter into the industry with all the skills they need. Admissions help, award-winning instructors, and payment plans starting at $50 to claim your seat are just some of the perks of becoming a CGMA student.
November 21, 2017, 6:03 am
When Valerian and the City of a Thousand Planets was released, I got the opportunity to talk to both overall VFX supe Scott Stokdyk and ILM supervisor Philippe Rebours about the Big Market sequence. Now with the film set for home entertainment release, there’s a snippet of one of the featurettes available on the Big Market sequence.
November 20, 2017, 6:42 pm
Race and poverty intertwine in director Dee Rees’ powerful Oscar contender, “Mudbound” — a potential game changer for Netflix. But Rees and her “Pariah” editor Mako Kamitsuna decided early on that their sprawling movie about a black and white family in the 1940s Mississippi Delta was getting lost in the interlocking narratives. They needed to find the connective tissue that united them in their struggle for the American Dream.
November 20, 2017, 12:05 pm
Sometimes, the story of a documentary film is best told by inserting the filmmaker into the tale and onto the screen. This could be due to something the filmmaker experienced, or something they did, or when they serve as a narrator or host. The filmmaker might have a personal connection with the story, or due to budget or access, the film becomes more doable when the filmmaker serves a function onscreen.
November 20, 2017, 12:04 pm
The 2017 Black Friday is, as always, one of the longest days of the year, as it starts, in many cases, this Monday, and runs well beyond next Friday. Time to save on many products, some available for the first time through this promotion. We picked some of the best deals around, and will be adding more in the next days. Do come back for other 2017 Black Friday deals.
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first abo ...
Gordon sits down with Sidney Wolinsky to discuss the editing of Guillermo del Toro's latest film The Shape of Water.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
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