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January 23, 2011, 11:47 am
Part one of the lect. I often give these lectures, and thought that I might share one of them here with you. The program is broken down into two parts, and each section runs about 30 minutes. The total is shorter than I usually speak, but there were time constraints on this presentation. My lectures usually tend to run 90 minutes and can go as long as 2 hours.
May 15, 2009, 1:31 pm
Crazy Heart, a recently completed low-budget indie feature, marks the feature film directing debut of actor and writer Scott Cooper. It also features a rarely tried, cost-efficient post-production workflow that provided some challenges for editor John Axelrad and first assistant editor Tom Cross. Shot in and around Santa Fe, New Mexico, Crazy Heart stars Jeff Bridges, Maggie Gyllenhall, Colin Farrell and Robert Duvall. The Tender Mercies-like plot (enhanced by the presence of that 1981...
May 12, 2009, 1:30 pm
Convergence, a slogan used for a previous NAB (National Association of Broadcasters) show, might have been more appropriate for this year’s event, held at the Las Vegas Convention Center in late April, which was replete with examples of technology designed to merge production with post.
May 11, 2009, 1:29 pm
Working remotely has become commonplace in big, visual effects-laden feature films, with post-production work being done at effects and sound houses spread all over the world. But with the economy in its current state, not to mention the time and money consumed in traveling to and from a workplace on a daily basis, telecommuting on smaller projects, like television, is looking more and more attractive to post-production professionals.
May 11, 2009, 1:28 pm
Mitch Jacobson is a renowned multi-camera editor who has cut concert videos for the likes of the Rolling Stones, Aerosmith and Paul McCartney, and produced and directed concert shows for Barenaked Ladies and others. His hands-on involvement with music began with playing guitar in high school garage bands, and soon grew to encompass the technical side of recording as well.
May 11, 2009, 1:27 pm
Amid the pre-Oscar festivities, the American Cinema Editors (ACE) held its ninth annual Invisible Art/Visible Artists Seminar with the Academy Award-nominated picture editors at the Egyptian Theatre in Hollywood. Moderated by Alan Heim, A.C.E., the seminar featured insightful conversation about their nominated films and their approach to editing.
Lawrence Jordan joins Gordon to discuss editing, 2-pop, and his new venture Master the workflow.
Tom Ohanian is legendary; he helped create Avid and make it the industry standard in post-production and now, he has released ...
Gordon sits down with Michelle Miller to discuss the makeup of PEN15
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