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January 24, 2011, 10:14 am
I received a letter that ends, as far as I am concerned, the discussion about 3D. It doesn't work with our brains and it never will. The notion that we are asked to pay a premium to witness an inferior and inherently brain-confusing image is outrageous. The case is closed. This letter is from Walter Murch, seen at left, the most respected film editor and sound designer in the modern cinema. As a editor, he must be intimately expert with how an image interacts with the audience's eyes. He...
February 28, 2017, 7:23 am
Framestore worked on over 365 shots on Marvel's Doctor Strange, encapsulating a range of VFX and animation work including environments, the complex ‘Mandelbrotting’ of sets, incredibly high resolution digi-doubles of key characters, and the creation of the astral form, a key technique used throughout the film.
February 27, 2017, 10:36 am
I mentioned in my previous Final Cut Pro Diary piece that I attended one of Apple’s free workshops, Final Cut Pro for Storytellers. There was a lot to take in, and as a complete beginner at the time, I knew I’d only really remember some percentage of it.
February 27, 2017, 7:11 am
The 2017 Oscar results are in, and a huge congrats to all the winners and nominees! Here are the inside-stories behind the sound for this year’s winners of the Oscars for Best Sound Editing and Best Sound Mixing...
February 27, 2017, 7:10 am
Kevin O’Connell is not the best-known name at the 89th Academy Awards, but going into the 2017 ceremony, he held a unique – and presumably unwanted – record: the most nominations without a win, 20 in all.
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
Gordon sits down with Steven Rosenblum to discuss the editing of Birth of a Nation. They talk about lack of footage and how t ...
Gordon sits down with Zack Arnold, founder of FitnessinPost.com, about his new project, Optimize Yourself. This new program i ...
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