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January 15, 2009, 6:29 am
The ASE has announced the editors who won their "Elephant Awards" for best editing.
The ASE Editing Awards have been announced. Below is a list of the winning editors.
TV Commercial Editing
Drew Thompson A.S.E. for Toyota (Earth's Greatest 4WD)
TV Non Drama
Philippa Rowlands A.S.E. for Charlotte & Jordans Runway to LA (Ep. 2)
Television Drama
Peter Carrodus A.S.E. for Underbelly (Ep. 9)
Feature Films
Alexandre De Francheschi A.S.E. for The Painted Veil
Short Films
Adrian Rostirolla for The Ground Beneath
Documentary Editing
Andrew Arestides A.S.E. The Cars that ate China
To read more check out the ASE website.
January 12, 2021, 2:06 pm
VFX Legion created over 200 visual effects for ‘Black Box,’ one of the series of films in the ‘Welcome to Blumhouse’ anthology that tapped the LA/B.C.-based company’s end-to-end services. The thematically connected package of dark genre movies marks Amazon‘s first-ever global direct to services deal.
January 12, 2021, 2:06 pm
On the occasion of the Paris Images Digital Summit , an awards ceremony (the Genie Awards) will be organized on the evening of Wednesday January 27.
January 11, 2021, 5:25 pm
Interested about animation? Be sure to watch this brand new showreel by Barcelona based studio 23lunes...
January 11, 2021, 5:25 pm
Come have a look at the digital rejuvenation work created by the Mac Guff teams on the 5th season of the Canal+ series, Le Bureau des Légendes...
January 11, 2021, 2:07 pm
It's the golden rule of film school and one of the most reliable tools in a cinematographer's toolkit. Here's how the 180-degree rule works.
January 11, 2021, 2:07 pm
What follows is a long chat I had with visual effects supervisor Nathan McGuinness and DNEG visual effects supervisor Pete Bebb about their work on Aaron Schneider’s Greyhound, which stars Tom Hanks as a WWII navy captain of a destroyer guarding a merchant ship convoy across the Atlantic during WWII.
January 11, 2021, 2:07 pm
Welcome to my review of the DaVinci Resolve Speed Editor. Hardware products designed to supplement and speed up video editing used to be quite rare. In the last few years, there have been quite a few to come along and I have reviewed many here on the Editblog.
January 11, 2021, 2:07 pm
"Capturing room tone requires [Criterion Collection] interview subjects to sit quietly for thirty to sixty seconds, and of course when you ask a bunch of people to do the exact same thing, they’ll all end up doing it differently. As you’ll see, some are very playful while others are more meditative; some close their eyes, and some look around the room or check their phones."
January 8, 2021, 2:03 pm
Animation Magazine – #306 January 2021
January 7, 2021, 2:27 pm
Izotope's RX series has been an essential part of our post production process for many years. Since RX 3 we've been de-crackling, de-noising, de-humming and de-reverbing our field interviews with this powerful tool. Every interview track gets an Izotope pass in post as part of our sweetening process to ensure we're releasing the best possible audio mix with all of our content.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
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