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February 2, 2011, 4:47 pm
Here's the list of film editors nominated for Emmy's this year 2011.
SINGLE-CAMERA PICTURE EDITING FOR A DRAMA
Skip MacDonald - "Breaking Bad" ("No Mas")
Matthew V. Colonna - "Dexter" ("The Getaway")
Stephen Semel, Mark J. Goldman, Christopher Nelson, Henk Van Eeghan - "Lost" ("The End")
Christopher Nelson, Pattye Rogers - "Mad Men" ("The Gypsy And The Hobo")
Tom Wilson - "Mad Men" ("Guy Walks Into An Advertising Agency")
PICTURE EDITING FOR A COMEDY (SINGLE OR MULTI CAMERA)
Roger Nygard, Jonathan Corn - "Curb Your Enthusiasm" ("Table Read")
Steve Rasch - "Curb Your Enthusiasm" ("The Bare Midriff")
Ryan Case - "Modern Family" ("Pilot")
Jonathan Maxwell Schwartz - "Modern Family" ("Family Portrait")
Ken Eluto - "30 Rock" ("Dealbreakers Talk Show #0001")
SINGLE-CAMERA PICTURE EDITING FOR A MINISERIES OR A MOVIE
Edward A. Warschilka - "The Pacific" (Part 5)
Alan Cody, Marta Evry - "The Pacific" (Part 9)
Alan Cody - "The Pacific" (Part 8)
Leo Trombetta - "Temple Grandin"
Aaron Yanes - "You Don't Know Jack"
PICTURE EDITING FOR A SPECIAL (Single or Multi-Camera)
David Foster - "Kathy Griffin: Balls Of Steel"
Michael Polito - "The Kennedy Center Honors"
Michael D. Schultz - "Robin Williams: Weapons Of Self Destruction"
Bill DeRonde, John Zimmer, Mark Stepp, Michael Polito - "The 25th Anniversary Rock And Roll Hall Of Fame Concert"
SHORT FORM PICTURE EDITING
Dakota Solt - "82nd Annual Academy Awards - John Hughes Tribute"
Jon Bloom, Bayard Stryker - 82nd Annual Academy Awards - Horror Tribute"
Oren Castro - "American Idol" ("Dream")
Brian Marsh - "Jimmy Kimmel Live" ("The Handsome Men's Club")
Kevin McCullough - "Jimmy Kimmel Live" ("The Late Night Wars")
Christopher Tartaro - "Late Night With Jimmy Fallon" ("6-Bee")
PICTURE EDITING FOR NONFICTION PROGRAMMING
Eric Goldfarb, Julian Gomez, Andrew Kozar, Paul C. Nielsen, Michael Bolanowski, Jennifer Nelson, Jacob Parsons, Rich Remis - "The Amazing Race" ("I Think We're Fighting The Germans, Right?")
Steve Mellon, Wes Paster, Matt Deitrich, Tenna Guthrie, Arek Hope, Karin Hoving, Phil Stuben, Hilary Scratch - "Extreme Makeover: Home Edition"
Erik Christensen - "Intervention" ("Robby")
Michael Greer, Tim Atzinger, Chad Bertalotto, Andrew Bolhuis, Eric Gardner, Evan Mediuch, Joubin Mortazavi - "Survivor" ("Tonight, We Make Our Move")
Adrienne Salisbury, Matt Reynolds, Jamie Pedroza, LaRonda Morris, Steve Lichtenstein, Kevin Kearney, Katherine Griffin - "Top Chef" ("Vivre Las Vegas")
September 21, 2017, 4:39 am
Editor’s Note: The Blue Collar Post Collective is a 501c3 non-profit organization that seeks to support emerging talent in all areas of post production. BCPC does this through free meet-ups and events, and a financial aid program called the Professional Development Accessibility Program (PDAP).
September 21, 2017, 4:39 am
Learning the craft of editing is a real challenge with so many opportunities to look like a complete and utter noob. For those of us who have ever worked professionally as an editor, we can all collectively wince as we think back unfondly at the countless mistakes we made in our early days, but for those of you who are new to editing, well, you just get to learn from our green-eyed blunders.
September 20, 2017, 8:13 am
While they have their own Oscar’s category and on occasion take over the iTunes’ charts, the musical accompaniment to our favorite films and TV shows often seem invisible. This is both a good and a bad thing. To not notice a song or a score in the background of a scene means that the perfect song has been chosen or the perfect score has been crafted and the sound work is smooth, but noticing the impact this sound design has on the story of the film or television show should be something we always try to do. Especially when considering it has such a strong role in guiding our emotions to where the storytellers intended them to go.
September 19, 2017, 7:48 am
hen I featured Adam Tinius’ Pulp Fiction soundtrack essay, I noted that Shaun of the Dead has some of my all-time favorite needledrops and cheekily-named song selections. Turns out, Tinius has created the same kind of rapidfire sonic punchline collage with director Edgar Wright’s entire Cornetto Trilogy.
September 16, 2017, 3:31 pm
Jason Ballantine, ASE (Australian Screen Editors) has been in the film industry since 1992 and is currently living in Los Angeles. He has won and been nominated for several Australian Awards for The Great Gatsby, Wish You Were Here and Wolf Creek. He was also a part of the Oscar winning team for Mad Max: Fury Road. In this installment of Art of the Cut, Jason and I discuss his most recent feature, Stephen King’s IT.
September 16, 2017, 3:30 pm
Ultimatte 12 will be demonstrated at IBC 2017, on the Blackmagic Design booth. Discover a new realtime hardware compositing processor that’s perfect for broadcast quality keying and much more.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
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