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February 2, 2011, 4:47 pm
Here's the list of film editors nominated for Emmy's this year 2011.
SINGLE-CAMERA PICTURE EDITING FOR A DRAMA
Skip MacDonald - "Breaking Bad" ("No Mas")
Matthew V. Colonna - "Dexter" ("The Getaway")
Stephen Semel, Mark J. Goldman, Christopher Nelson, Henk Van Eeghan - "Lost" ("The End")
Christopher Nelson, Pattye Rogers - "Mad Men" ("The Gypsy And The Hobo")
Tom Wilson - "Mad Men" ("Guy Walks Into An Advertising Agency")
PICTURE EDITING FOR A COMEDY (SINGLE OR MULTI CAMERA)
Roger Nygard, Jonathan Corn - "Curb Your Enthusiasm" ("Table Read")
Steve Rasch - "Curb Your Enthusiasm" ("The Bare Midriff")
Ryan Case - "Modern Family" ("Pilot")
Jonathan Maxwell Schwartz - "Modern Family" ("Family Portrait")
Ken Eluto - "30 Rock" ("Dealbreakers Talk Show #0001")
SINGLE-CAMERA PICTURE EDITING FOR A MINISERIES OR A MOVIE
Edward A. Warschilka - "The Pacific" (Part 5)
Alan Cody, Marta Evry - "The Pacific" (Part 9)
Alan Cody - "The Pacific" (Part 8)
Leo Trombetta - "Temple Grandin"
Aaron Yanes - "You Don't Know Jack"
PICTURE EDITING FOR A SPECIAL (Single or Multi-Camera)
David Foster - "Kathy Griffin: Balls Of Steel"
Michael Polito - "The Kennedy Center Honors"
Michael D. Schultz - "Robin Williams: Weapons Of Self Destruction"
Bill DeRonde, John Zimmer, Mark Stepp, Michael Polito - "The 25th Anniversary Rock And Roll Hall Of Fame Concert"
SHORT FORM PICTURE EDITING
Dakota Solt - "82nd Annual Academy Awards - John Hughes Tribute"
Jon Bloom, Bayard Stryker - 82nd Annual Academy Awards - Horror Tribute"
Oren Castro - "American Idol" ("Dream")
Brian Marsh - "Jimmy Kimmel Live" ("The Handsome Men's Club")
Kevin McCullough - "Jimmy Kimmel Live" ("The Late Night Wars")
Christopher Tartaro - "Late Night With Jimmy Fallon" ("6-Bee")
PICTURE EDITING FOR NONFICTION PROGRAMMING
Eric Goldfarb, Julian Gomez, Andrew Kozar, Paul C. Nielsen, Michael Bolanowski, Jennifer Nelson, Jacob Parsons, Rich Remis - "The Amazing Race" ("I Think We're Fighting The Germans, Right?")
Steve Mellon, Wes Paster, Matt Deitrich, Tenna Guthrie, Arek Hope, Karin Hoving, Phil Stuben, Hilary Scratch - "Extreme Makeover: Home Edition"
Erik Christensen - "Intervention" ("Robby")
Michael Greer, Tim Atzinger, Chad Bertalotto, Andrew Bolhuis, Eric Gardner, Evan Mediuch, Joubin Mortazavi - "Survivor" ("Tonight, We Make Our Move")
Adrienne Salisbury, Matt Reynolds, Jamie Pedroza, LaRonda Morris, Steve Lichtenstein, Kevin Kearney, Katherine Griffin - "Top Chef" ("Vivre Las Vegas")
December 15, 2018, 9:43 am
Promos are marketing tools used to showcase products, services, and content. This feature presents three eye-catching promo video templates for Adobe After Effects. We'll look at three popular categories: portfolios, websites, and channels. Each one offers great opportunities to elevate your After Effects projects to the next level.
December 14, 2018, 1:33 pm
We know you're excited to create beautiful video productions in 2019. So, we thought we'd give you a jumpstart with 50 of the best Final Cut Pro templates from Envato Elements. Elements lets you download as many creative resources as you want, for one low monthly fee.
December 14, 2018, 10:11 am
Terrence Malick is well known and widely celebrated for being one of the medium's most visually conscious filmmakers. Ethereal and light, natural and nature-dependent, Malick's films show the beauty of the world and, in doing so, his filmography remains timeless.
December 14, 2018, 10:11 am
Foundry has released Nuke 11.3, the next update to its line-up of compositing and editorial tools, extending the Live Groups system and adding support for eGPU units when working with Mac hardware.
December 14, 2018, 6:13 am
The Netflix drama 22 July chronicles the 2011 Norway massacre hat left 77 dead when a far-right extremist detonated a car bomb in Oslo before carrying out a mass shooting at a teen leadership camp on the nearby island of Utoya. During Deadline’s The Contenders Los Angeles recently, editor William Goldenberg discussed how he and director Paul Greengrass adapted the real-life tragedy and its aftermath while taking care not to exploit the incident and those involved.
December 13, 2018, 10:19 am
Why does ADR get a bad reputation especially amongst actors and directors who say “it just doesn’t work” or “it is never as good as the original”? In my experience, bad ADR primarily comes down to the performance of the actor in the studio on the ADR record day but there are other factors that can play a part. Are the correct mics being used? It is a properly sized room and a good team of people present on the record day? These will always help make sure bad ADR won’t happen as long as the talent is on form.
Gordon Sits down with Christopher Tellefsen to discuss A Quiet Place.
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
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