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February 7, 2011, 1:43 pm
AJA Video Systems has announced it is now shipping Ki Pro Mini, the smaller, lighter version of portable tapeless recorder that captures to the Apple ProRes 422 codec directly from camera. Ki Pro Mini bridges production and post, effectively eliminating log and capture. It supports SDI & HDMI cameras and key features...
November 25, 2017, 7:58 am
A sunny, hopeful yellow. An introspective turquoise. An arresting, violent red. When you see a color in a film, what you see is no accident — filmmakers carefully compose each frame and make color decisions that affect your experience of watching, even if you don’t realize it. Here are the ways in which filmmakers use color to deepen narrative.
November 24, 2017, 2:54 pm
FXhome has released HitFilm Pro 6.0, the new version of its editing, compositing, VFX and grading app, adding new timeline editing, titling and 2D animation options, including a new puppet animation tool.
November 24, 2017, 10:15 am
Movie editor Kevin Tent reveals what he learned from Roger Corman, how he edited an Oscar-winning movie on a train and why he doesn't miss film.
November 24, 2017, 6:55 am
Creating a local broadcast means great, relevant content for your area. We’ve put together some useful video elements to let you create the look of your news programme easily, so you can focus on getting the scoop!
November 23, 2017, 6:00 pm
I have used VEGAS Pro for more than ten years, and a big part of the reason I use it as my “go-to” NLE above any other choice is that it really is a comprehensive all-in-one set of tools. It actually lets you finish the whole project from the beginning to the end within one software package. Adobe Premiere Pro, Avid Media Composer, Apple Final Cut Pro X and Blackmagic DaVinci Resolve are all great in their own way, but they all have shortcomings that force users to rely on other tools to finish their project. VEGAS Pro is the NLE of choice for many editors because they can do everything they need to in this single tool, all while being more customizable with features that no other NLE can match.
November 22, 2017, 6:46 pm
We all know filmmaking takes a lot of planning and preparation, including coming up with a shot list to make principal photography less confusing. But even if you're a run-and-gun shooter who doesn't have a whole lot of time to carefully plan every shot before you shoot it, you can still not only keep your production on the right track but also get the shots you need to make your final edit more dynamic and entertaining. Jordy Vandeput of Cinecom shows you how in the video below.
Gordon Burkell sits down with William Hoy ACE to discuss editing War of the Planet of the Apes.
Gordon sits down with the directorial team of Christopher Radcliff and Lauren Wolkstein to discuss their first feature film & ...
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first abo ...
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