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  • Cutting Edge: A conversation with editor Lee Smith

    Cutting Edge: A conversation with editor Lee Smith

    February 9, 2011, 8:33 am
    Lee Smith began his career in the movie industry as a sound designer for internationally respected directors such as Phillip Noyce (Dead Calm), Jane Campion (The Piano), George Miller (Lorenzo’s Oil), and Peter Weir (Green Card). "I was fortunate enough to be working for a company that would let me do sound and picture work," Lee informs me.

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  • Other Postings By Member

    • AOTG
      ANIMATION

      Kidscreen Awards 2019 Shortlist Announcement

      December 13, 2018, 5:57 am
      Kidscreen, host of the global kids entertainment industry’s leading awards for excellence, is delighted to announce the shortlisted entries that are continuing in the competition through a final round of judging.

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    • Sound Devices Adds MixPre Ambisonic Support
      SOUND

      Sound Devices Adds MixPre Ambisonic Support

      December 12, 2018, 1:11 pm
      Sound Devices Adds MixPre Ambisonic Support

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    • AOTG
      EDITING

      Report of DNx Death on Mac might be Premature

      December 12, 2018, 1:11 pm
      When news first appeared, in a knowledgebase article, that MacOS was going to be dropping some support for DNxHR, it sent ripples through certain sections of the film industry. DNx is a popular intermediate and finishing codec that, while created by Avid for Media Composer, is used in Premiere and Resolve and other applications on a daily basis by many filmmakers. However, it's not supported by the newer AVFoundry video framework Apple released with 10.6, only with the older Quicktime framework (confusingly, the Application "Quicktime X" doesn't use the Quicktime Framework, it uses AVFoundry), and after Mojave Apple is ending support for the original quicktime framework.

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    • AOTG
      VFX

      Eran Dinur, VFX Supervisor

      December 12, 2018, 10:13 am
      I’m speaking with Eran Dinur, a VFX Supervisor for Brainstorm Digital in New York City. I’m really excited to do this interview. On top of being a VFX Sup, Eran has written and published The Filmmaker’s Guide to Visual Effects. I thought it would be great to share Eran’s story on how he ended up in visual effects from a completely different industry. I leave this as a surprise!

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    • AOTG
      VFX

      The Equalizer 2 - VFX Breakdown

      December 12, 2018, 10:12 am
      Zero VFX presents their invisible work on THE EQUALIZER 2...

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    • AOTG
      VFX

      VFX Set Supervisor - Christopher Schmidt

      December 12, 2018, 10:12 am
      Christoph Schmidt joined Pixomondo in 2014 and has worked on many projects such as FURIOUS SEVEN, THE SHANNARA CHRONICLES, THE FATE OF THE FURIOUS and GAME OF THRONES.

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    • AOTG
      ANIMATION

      Autodesk posts feature list for 3ds Max 2019.3

      December 12, 2018, 5:51 am
      Autodesk has published the feature list for 3ds Max 2019.3, the latest version of its 3D animation software, including interactive rendering in the ActiveShade viewport, and extended OSL and Alembic support.

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    • AOTG
      VFX

      Fallen Kingdom ILM Dinosaur VFX

      December 12, 2018, 5:51 am
      Come have a look at the dinosaurs created by Industrial Light & Magic for JURASSIC WORLD – FALLEN KINGDOM...

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    • AOTG
      SOUND

      Spot To Original Timestamp

      December 12, 2018, 5:50 am
      In this tip Pro Tools Expert team member Julian Rodgers shares a simple but indispensable tip in what is probably his shortest video to date.

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    • AOTG
      EDITING

      FRAME.IO Launches Ultimate Post Workflow

      December 11, 2018, 10:25 am
      There are a lot of great resources to be found on the internet. Wikipedia, for one, is wonderful for certain high-level information, but when it comes to filmmaking, it doesn't often dig down deep into the weeds of workflow. We like to believe that there is a lot of great information on No Film School, but of course, we cover a wide range of subjects and news that are mixed in with workflow and interviews.

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