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  • Optimizing for performance: Adobe Premiere Pro

    Optimizing for performance: Adobe Premiere Pro

    February 11, 2011, 2:45 pm
    In January, a bunch of us from Adobe hosted a one-hour session about optimizing for performance of both Adobe Premiere Pro and After Effects. In case you missed it, here’s the recording.

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  • Other Postings By Member

    • Animation Addicts Podcast #162: The Polar Express
      ANIMATION

      Animation Addicts Podcast #162: The Polar Express

      December 16, 2017, 1:26 pm
      Jump onboard The Polar Express (2004). Chelsea and Morgan are joined by Pablo Ruiz for this festive ride down holiday line on! -You comin’?

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    • WAR FOR THE PLANET OF THE APES: Siggraph talk by W
      VFX

      WAR FOR THE PLANET OF THE APES: Siggraph talk by W

      December 16, 2017, 8:29 am
      Interesting talk for Siggraph by VFX Supervisor Anders Langlands about the beautiful work of Weta Digital on WAR FOR THE PLANET OF THE APES....

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    • AOTG
      VFX

      VFX Artists Make Short ‘The Ningyo’ in Their L

      December 16, 2017, 8:29 am
      LOS ANGELES -- Indie filmmakers are frequently forced to use anything and everything they can get their hands on to realize their vision, but artist couple Miguel Ortega and Tran Ma have taken that concept further than most.

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    • AOTG
      EDITING

      NEW: Red Giant Universe 2.2

      December 16, 2017, 8:29 am
      Hi folks – today we are releasing Universe 2.2, an update to Red Giant Universe, our GPU accelerated plugins for editors and motion graphics artists.

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    • AOTG
      COLOR

      Getting Ready for Color in Postproduction

      December 16, 2017, 8:29 am
      In the last couple of posts, I’ve gone on and on about nesting. I thought I was finished with the topic, but my last post—avoiding trouble when you transfer your project to an audio designer—reminded me of some things you can do to make a grading session easier.

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    • THE MOUNTAIN BETWEEN US: Kevin Hahn - VFX Supervis
      VFX

      THE MOUNTAIN BETWEEN US: Kevin Hahn - VFX Supervis

      December 15, 2017, 10:29 am
      Kevin Hahn started his career in visual effects in 1998. He joined MPC in 2007 and works on films such as ANGELS & DEMONS, THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER, JOHN CARTER and MALEFICENT. As VFX Supervisor, he took care of the effects of films like THE FINEST HOURS, XXX: RETURN OF XANDER CAGE and FIFTY SHADES DARKER.

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    • Oscars: How Top VFX Pros Brought Baby Groot, Wonde
      VFX

      Oscars: How Top VFX Pros Brought Baby Groot, Wonde

      December 15, 2017, 10:29 am
      Superhero fare — from Thor to Justice League and Logan — swept the visual effects shortlist Dec. 4, while tentpole sci-fi projects, such as Star Wars: The Last Jedi and Blade Runner 2049, also were well represented. THR took a dive into how the VFX teams created some of this year's most imaginative effects, including the beasts, aliens and other out-of-this-world creatures that filled their stories.

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    • AOTG
      VFX

      THE WALKING DEAD - Season 8

      December 15, 2017, 5:54 am
      Goodbye Kansas Studios presents their work on the first episode of the season 8 of THE WALKING DEAD...

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    • AOTG
      VFX

      Michiel de Ruyter VFX Breakdown by PFX

      December 15, 2017, 5:54 am
      Michiel de Ruyter – You might not be familiar with Michiel de Ruyter, but in Holland, he’s a national hero. In the 17th century, he managed to defeat the English and the French at sea, becoming one of the greatest innovators of naval warfare. The film originated in Belgium and PFX was responsible for the computer graphics. Scenes that were once only shots of an empty sea are now filled with majestic, historic ships. The wind in the sails and the crew readying the cannons for their first enemy battle.

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    • AOTG
      EDITING

      Daring Fireball: First Impressions of the New iMac

      December 14, 2017, 6:13 pm
      It is significantly more expensive than its non-pro iMac siblings — the iMac Pro starts at $4999, but most configurations will cost significantly more. But make no mistake — if you buy one of these, you’re getting true professional performance for your money. You’re not just getting (admittedly gorgeous) space black anodized aluminum.

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