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February 15, 2011, 3:18 pm
Here is a quick tutorial I created on how to share your video on youtube from Final Cut Pro...
January 27, 2020, 2:30 pm
In this video, Neil Parfitt who is a composer, music editor, synth sound designer based in Toronto has set up his new rack mount Mac Pro 7,1 computer to show some real-world tests both about the fan noise and how well it handles a very large Pro Tools project and turns up some surprises during his tests.
January 27, 2020, 2:30 pm
Over recent decades many of the tools used in video production and post have become smaller, easier to use, and less expensive. It is possible to edit and finish projects on a single iMac or iMac Pro that would have taken an entire edit facility in the past. This trajectory has also applied to media storage – the lifeblood of post-production. Both spinning and solid state hard drives are cheaper and offer larger capacity than ever before. Less costly systems and storage make it easier for small and medium production and post companies to ramp up the number of edit/graphics/audio seats within the facility.
January 27, 2020, 2:30 pm
Check out WorldWide FX's work for Angel has Fallen.
January 27, 2020, 2:30 pm
The Stateside ASIFA Annie Awards have announced their 2020 winners. Among those awarded were Henry Selick (director of The Nightmare Before Christmas, James and the Giant Peach and Coraline), Ron Clements and John Musker (who have worked as one of Walt Disney Animation Studio’s leading director teams over the past three decades) and, posthumously, Satoshi Kon (acclaimed manga artist and director of such films as Perfect Blue and Paprika), all whom were selected by the ASIFA-Hollywood Board of Directors tp receive Winsor McCay Awards for exemplary industry careers.
January 26, 2020, 3:22 pm
“Ford v Ferrari” won the highest honor at the Cinema Audio Society Awards, which were presented in Los Angeles on Saturday evening.
January 24, 2020, 2:11 pm
As NLEs have become more user-friendly over the years, green screen technology has become more accessible to everyday content creators. You don’t need a studio or a big editing rig to get it done. For most programs, it only takes a few clicks to get the desired effect. In this walkthrough, we’re going to show you how to chroma-key a green screen in Final Cut Pro X.
January 24, 2020, 2:10 pm
There’s an exceptional level of craftsmanship among this year’s nominees for the Cinema Audio Society Awards, which recognizes outstanding accomplishments in sound mixing, a collaborative discipline that requires sound editors, re-recording mixers, Foley and ADR artistry to work together to create a harmonious finished product.
January 24, 2020, 2:10 pm
Adobe is continuing its dominance in the film editing business, as an official survey of films appearing at the Sundance Film Festival finds Premiere Pro is the preferred editing software of the majority of the movies, with 56% of the films using the programme.
January 24, 2020, 2:10 pm
With the Sundance Film Festival 2020 opening today, we decided to take a closer look at the “Boys State” screening in the U.S. Documentary Competition, a work that promises to be a political, coming-of-age film examining the well being of the American democracy. The documentary covers an unusual trial: The gathering of a thousand 17-year-old boys in Texas who band together to build a representative government from the ground up. Produced and directed by Jesse Moss and Amanda McBaine, “Boy’s State” hones in on the story of four boys of diverse background as they attempt to establish a governor.
January 23, 2020, 7:49 pm
At the VES Awards in Los Angeles in late January, one of those to be honored at the event will be visual effects supervisor Sheena Duggal.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
In this bonus episode, Gordon sits down with Dan Deleeuw, the visual effects supervisor for Avengers: Endgame.
Gordon sits down with Jinmo Yang to discuss the editing of Parasite, the hit Korean film and a must see for everyone.
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