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February 15, 2011, 3:18 pm
Here is a quick tutorial I created on how to share your video on youtube from Final Cut Pro...
June 26, 2017, 9:13 am
Really nice VFX Breakdown by CGF about their work on BOLSHOY...
June 26, 2017, 9:13 am
In this short video you will learn two ways to split a multi-song project into separate projects, with one song in each.
June 26, 2017, 4:42 am
The Immersive Reality in Architecture conference, which took place in Venice earlier this month, focuses on the application of VR and AR in the world of visualization and design. This panel discussion, led by CGarchitect’s Jeff Mottle, tackles the pros and cons of these emergent technologies.
June 26, 2017, 4:42 am
In recent years, we've seen a huge influx in video essays about film, which is not only giving students of film access to the kind of film analysis you tend to only get in film school, but it's also changing the way film analyses are produced and exhibited altogether.
June 25, 2017, 3:04 pm
Though his nomination for a Best Editing Oscar for Moonlight wasn’t as monumental as his co-editor Joi McMillon’s—she was the first African-American to receive a nod for the award—Nat Sanders’ collaboration with director and former classmate Barry Jenkins was equally instrumental in achieving the film’s breezy cutting style that offsets even its most brooding moments.
June 25, 2017, 3:04 pm
Pardon me for initially being skeptical, as I’d heard this story numerous times before: “So and so has produced an amazing app that finally lets you truly edit videos on the iPad.” As a Final Cut Pro X devotee who’s often seen tethered to a Mac, I guess you can say I have trust issues when it comes to such lofty claims.
June 25, 2017, 3:04 pm
Even if you’re not an arachnophobe by nature, the half-human, half-spider nightmare that skitters into frame in the “Playtest” episode of Black Mirror‘s third season may have you thinking twice before you roll up a newspaper to tangle with that arachnid in your basement.
June 25, 2017, 7:53 am
A look inside the making of the music video for Odesza’s “Line Of Sight (feat. WYNNE & Mansionair)”.
June 25, 2017, 7:53 am
This week on A Sound Effect, we have lots of elements that will flesh out your games. You will hear frozen footsteps caught just before snow fall, detailed servo sounds for your tiny machines, gunshots and gun handling from almost 30 different weapons, and interior and exterior spaceship sounds that are full of imagination. You will also hear two charming collections of male and female vocalizations, experimental-sounding induction coil pickups, and plane pass-bys that will place your audience right where you want them to be. Dig in!
June 24, 2017, 3:09 pm
J-Cuts can be described as having the sound enter the scene before the scene appears visually, or it can be used to play out a scene where the audio is used after the shot has ended. They're used in TV and movies, and they're a professional element that sets you and your style apart from those who just cut scenes together. This enables you to get a nice flow in your video, and it all blends and layers to make it more interesting and give your work more power.
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
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