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February 21, 2011, 9:41 pm
Since Ordinary People in 1981, no film has won best picture at the Oscars without also having received a best editing nomination at the Eddies. Because the Eddies often predict the Best Picture, it is significant that The Social Network editors, Angus Wall, A.C.E., and Kirk Baxter, edged out the editors of Black Swan, The Fighter, Inception and The King’s Speech, garnering the ACE Eddie Award for best edited dramatic feature at the 61st annual ACE Eddie Awards, Feb. 19 at the Beverly Hilton.
March 13, 2010, 11:59 am
Working in the editorial department on Alice in Wonderland, JC Bond was the point of first contact for principal photography, assembling scenes as quickly as director Tim Burton could shoot them. He was also the gatekeeper for the film's extensive visual-effects content, which he received and analyzed before it was cut into the movie. Working on a team led by film editor Chris Lebenzon, ACE, Bond made sure thousands of pieces of content fell into place as expected in the editorial pipeline...
March 12, 2010, 11:58 am
Write On! speaks with film editor, screenwriter, and author Bobbie O’Steen—The Invisible Cut: How Editors Make Movie Magic. O’Steen discusses her book-writing process, the art of storytelling, the importance of following your passion, and more. O’Steen is a regular contributor to Moviemaker Magazine, MovieGeeksUnited, and EditFest LA and EditFest New York, and conducts ongoing events with well-known film editors with the intent of educating filmmakers and the film going public about...
March 12, 2010, 11:57 am
On Saturday morning, March 6, the eve of the Oscars, the American Cinema Editors (ACE) held its tenth annual Invisible Art Visible/Artists Seminar with the Academy Award-nominated picture editors to a full house at the Egyptian Theatre in Hollywood.
March 12, 2010, 11:57 am
The ASE presents the first event in the Collaboration Series, shedding light on the mysterious world of post-production.Underbelly is one of the most successful television dramas made in Australia.
March 12, 2010, 11:56 am
A motion effect changes the size, shape, opacity, duration, position of your video, image, text or graphic in your projects. Motions effects are relatively easy in most Non-Linear Editors. I’m not going to discuss the how of motion effects. Instead I’m going to focus on why I did certain motion effects in this story. Our story for this post is We haven’t heard that word in forever on my YouTube site.
March 11, 2010, 12:52 pm
Here's part 2 of my interview with Bobbie O'Steen. Bobbie is an Emmy nominated editor and author of The Invisible Cut and Cut to the Chase. In this part we begin to discuss her second book, The invisible Cut To see her next interview/event check out her website at www.bobbieosteen.com
March 11, 2010, 11:54 am
In this episode, we’ll deep-dive into one of the most powerful and most-used effects in Avid: The Timewarp. We’ll cover the basics in this episode and the next. This week: Render types, keyframe interpolation and manipulating the Speed Graph.
March 9, 2010, 11:53 am
Recently, I had the chance to moderate a live chat with two members of the editorial department for Avatar. Not only is it the biggest box office hit of all time, it's also nominated in nine different categories in the Academy Awards.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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