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February 21, 2011, 9:41 pm
Since Ordinary People in 1981, no film has won best picture at the Oscars without also having received a best editing nomination at the Eddies. Because the Eddies often predict the Best Picture, it is significant that The Social Network editors, Angus Wall, A.C.E., and Kirk Baxter, edged out the editors of Black Swan, The Fighter, Inception and The King’s Speech, garnering the ACE Eddie Award for best edited dramatic feature at the 61st annual ACE Eddie Awards, Feb. 19 at the Beverly Hilton.
March 16, 2020, 12:18 pm
Full disclosure: this is a very unscientific investigation.
March 13, 2020, 10:48 am
CHICAGO -- Creative production studio, Flavor, has announced the addition of Rob Churchill to their Chicago staff in the position of VFX director. The announcement was made by Flavor’s executive producer, Neal Cohen. The new hire is part of a plan by the studio and parent company, Cutters Studios, to embark on a new production venture with Churchill as a partner. An announcement regarding the launch and scope of the new endeavor is anticipated soon.
March 13, 2020, 10:48 am
In this week's Friday Free Plug-in, we are featuring SpectrumAnalyser from SIR Audio Tools. SpectrumAnalyzer offers a lot of opportunities to display the spectral content of your audio material and helps you create a better mix.
March 12, 2020, 12:20 pm
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
March 11, 2020, 7:29 pm
National Association of Broadcasters (NAB) President and CEO Gordon Smith has just issued the following letter to the NAB Show community, announcing the annual show, scheduled for April 18-22, 2020 in Las Vegas, has been canceled due to the expanding coronavirus Covid-19 pandemic...
March 11, 2020, 12:41 pm
Open up our 40th anniversary celebration issue, Cinefex 169, and you’ll find The Illusionists, a giant roundtable discussion in which 21 Oscar-winning visual effects supervisors debate the past, present and future of cinematic illusions. We recorded over 14 hours of interview material for the article, and inevitably some of it ended up on the cutting room floor. In this series of short blogs, we’re pleased to share a few of our favorite outtakes. To read the full roundtable, pick up your copy of Cinefex 169.
March 10, 2020, 7:29 pm
Led by VFX supervisor Derek Spears, the studio filled the sea and sky around Midway Atoll with the devastating tools and action of war in Roland Emmerich’s harrowing tale of the decisive 1942 battle between the U.S. and Japan in the Pacific Theatre of WWII.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
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