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  • AOTG

    A.C.E. Awards Honor the Best Editing

    February 21, 2011, 9:41 pm
    Since Ordinary People in 1981, no film has won best picture at the Oscars without also having received a best editing nomination at the Eddies. Because the Eddies often predict the Best Picture, it is significant that The Social Network editors, Angus Wall, A.C.E., and Kirk Baxter, edged out the editors of Black Swan, The Fighter, Inception and The King’s Speech, garnering the ACE Eddie Award for best edited dramatic feature at the 61st annual ACE Eddie Awards, Feb. 19 at the Beverly Hilton.

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  • Other Postings By Member

    • Hollywood Should Put an End to the December Conten
      EDITING

      Hollywood Should Put an End to the December Conten

      January 2, 2018, 8:43 am
      In a week otherwise filled with friends and family members, I made one mistake over my holiday break: I jumped onto Fandango and looked at the movies playing in New York City. That brought about probably my first genuine case of FOMO since moving out of the city last summer; I even fell so far down the rabbit hole of limited releases that I began to discuss – seriously discuss, with dollar signs and everything – the feasibility of spending my post-Christmas week with friends in New York City going forward.

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    • Review: Adobe Creative Cloud All-in-One For Dummie
      EDITING

      Review: Adobe Creative Cloud All-in-One For Dummie

      January 1, 2018, 7:10 am
      A comprehensive guide by two people who really know their stuff. This book is invaluable for those starting out and getting to know the ropes across the Adobe suite. Not so great for those familiar with the basics, but still helpful lessons to be found.

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    • Editing Meet the Nativity and getting to the final
      EDITING

      Editing Meet the Nativity and getting to the final

      January 1, 2018, 7:10 am
      I had worked with director Chris Jones previously and he called and asked if I was available and explained that there would be four days of principal photography with an additional pickup day later in the process.

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    • Ep. 242: Predictions for 2018…and Where I Missed
      VFX

      Ep. 242: Predictions for 2018…and Where I Missed

      December 31, 2017, 9:57 am
      Predictions for 2018 and what didn’t quite come true in 2017.

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    • SONY PICTURES IMAGEWORKS: The Best of 2017
      VFX

      SONY PICTURES IMAGEWORKS: The Best of 2017

      December 31, 2017, 9:56 am
      Really cool compilation of the VFX work made by Sony Pictures Imageworks during 2017!

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    • The Best of ProVideo Coalition: 2017
      EDITING

      The Best of ProVideo Coalition: 2017

      December 31, 2017, 9:56 am
      2017 saw a number of major developments for the industry as a whole, and many of those updates were explored and showcased on ProVideo Coalition via news items and feature articles throughout the year. On the last day of 2017, we wanted to take a look back at everything that resonated with our audience this year, as well as highlight the most influential articles from PVC authors.

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    • AOTG
      EDITING

      How to Read a Lined Script - EditStock

      December 29, 2017, 12:09 pm
      One regularly asked question on EditStock is "How do I read a lined script?" First you've got know what a lined script is.

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    • AOTG
      EDITING

      Strange Continuity: Why Our Brains Don't Explode a

      December 29, 2017, 12:09 pm
      For millennia, we’d never seen anything like film cuts. How do we process them so easily?

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    • AOTG
      SOUND

      Pro Tools Basics - NUDGE

      December 25, 2017, 7:48 am
      In this tutorial, aimed at both Pro Tools and Pro Tools First users, we will have a closer look at the Nudge feature in Pro Tools. It is as simple as pressing the plus or minus key to move a clip to the right or left. However, it has a ton of variations and hidden features worth exploring and waiting for you to incorporate it into your workflow.

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    • AOTG
      EDITING

      Jerry Greenberg Dies: ‘The French Connection’

      December 24, 2017, 8:10 am
      The film editor behind one of the most famous car chases in movie history has died. Jerry Greenberg, whose work on The French Connection won him an Academy Award for film editing, died Friday after a long illness. He was 81.

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