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  • AOTG

    A.C.E. Awards Honor the Best Editing

    February 21, 2011, 9:41 pm
    Since Ordinary People in 1981, no film has won best picture at the Oscars without also having received a best editing nomination at the Eddies. Because the Eddies often predict the Best Picture, it is significant that The Social Network editors, Angus Wall, A.C.E., and Kirk Baxter, edged out the editors of Black Swan, The Fighter, Inception and The King’s Speech, garnering the ACE Eddie Award for best edited dramatic feature at the 61st annual ACE Eddie Awards, Feb. 19 at the Beverly Hilton.

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  • Other Postings By Member

    • VALERIAN - VFX Breakdown
      VFX

      VALERIAN - VFX Breakdown

      October 31, 2017, 9:17 am
      If you like spaceships, huge city and space battle, then don’t miss this VFX Breakdown by Rodeo FX about their work on VALERIAN AND THE CITY OF A THOUSAND PLANETS...

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    • AOTG
      SOUND

      Hans Zimmer Names His ‘Favorite Film Composer’

      October 31, 2017, 9:17 am
      Hans Zimmer is one of the most prolific film composers in movie history. An Oscar winner with 10 nominations to his name, Zimmer has worked with everyone from Christopher Nolan to Ridley Scott, Terrence Malick, Steve McQueen, Mike Nichols, and Ron Howard, among many others. He’s such a legend that to be named his favorite film composer would be a huge honor, and such is the case with Jonny Greenwood.

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    • AOTG
      EDITING

      Most Exciting New Features in Premiere Pro

      October 31, 2017, 9:16 am
      Alongside the latest iterations of CC applications, Adobe has also released a brand new version of its beloved editing platform Premiere Pro CC 2018. With the update comes a jaw-dropping amount of performance updates, including some new features that promise to significantly increase post-production efficiency for whatever needs your workflow may have.

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    • AOTG
      COLOR

      How to Color Grade in FCP and Create Your Own LUTs

      October 31, 2017, 5:05 am
      Color grading is one of the important parts of the editing process, as it can give your video footage a very personal look that differentiates it from your peers. This awesome video will show you not only how to color grade your footage, but how to create and save your own looks to apply down the road.

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    • Eps. 103 - Forced Exile
      VFX

      Eps. 103 - Forced Exile

      October 31, 2017, 5:05 am
      Welcome to Episode 103! This Episode is actually about why I left Los Angeles and moved to a city with no VFX industry. I knew nobody here, and I’ve spent all of my savings and did everything I could possibly do...

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    • What’s the Difference Between Adobe CC 2018 vs.
      EDITING

      What’s the Difference Between Adobe CC 2018 vs.

      October 30, 2017, 1:27 pm
      One of the most common upgrade questions we see out there is asking what’s new, what’s different, what’s better, what’s changed between Adobe’s just-launched CC 2018 release and the previous CC 2017, CC 2015.5, CC 2015, CC 2014, CC 2013, or 2012’s Creative Suite 6? Or more fundamentally, what are the key new features and advancements in CC 2018 versus prior versions?

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    • Latest Avid Release dropped today
      EDITING

      Latest Avid Release dropped today

      October 30, 2017, 1:27 pm
      I used to know everything about Media Composer. I had taken RTFM to heart and had literally read every page of every document (editing, effects, workflow, color grading) and even tech checked much of it. Avid even sent me a “Junior Tech Pubs Sheriff’s Badge.” (So somebody with a sense of humor must have been sick of the many corrections I sent in.)

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    • Let's Edit with MC - What's New in 8.9.3 by Kevin
      EDITING

      Let's Edit with MC - What's New in 8.9.3 by Kevin

      October 30, 2017, 1:27 pm
      These updates are always a bit of a treat. What I mean by that is that normally when a point point update comes out, it’s normally bug fixes only. Well, this point point version release of Media Composer actually has some pretty cool new features in it, some of which are simple work flow enhancements (moving clips up and down tracks), and some are essential work flow updates (Relinking across Frame Rates). All of this, plus support for 10.13, High Sierra, makes this an update that Media Composer editors will definitely want to check out.

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    • AOTG
      EDITING

      FCPX Gets Massive Overhaul with VR, Color Controls

      October 30, 2017, 1:27 pm
      At last week's FCPX Creative Summit, Apple unveiled Final Cut Pro X's 10.4 update, which looks to be a pretty massive overhaul of the layout and functionality of the company's flagship NLE. Despite the addition of Touch Bar support getting the prime spot in the announcement, other features like new color wheels and RGB and hue/saturation curves, redesigned flat interface, and extensive VR support are some of the most exciting (and requested) upgrades from the previous version. Let's take a look at the highlights.

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    • Blackmagic's ATEM Television Studio HD Pro Review
      EDITING

      Blackmagic's ATEM Television Studio HD Pro Review

      October 30, 2017, 4:23 am
      I sat in my office and stared at the brown cardboard box holding Blackmagic’s new ATEM Television Studio Pro HD switcher. How was I going to test and review this new switcher? My calendar just did not have a Multicam opportunity scheduled.

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