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  • New Final Cut Pro Expected To Ship This Spring

    New Final Cut Pro Expected To Ship This Spring

    February 23, 2011, 9:30 am
    Tech Crunch and several other sites are reporting on a new version of Final Cut Pro (Studio) that will ship this spring, possibly to coincide with this years NAB convention in Las Vegas.

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  • Other Postings By Member

    • AOTG
      VFX

      The Umbrella Academy VFX Breakdown

      May 29, 2019, 6:06 am
      Come have a look at how Weta Digital created the human-like chimpanzee Pogo for THE UMBRELLA ACADEMY...

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    • AOTG
      SOUND

      How Do I Colour My Tracks In Pro Tools? - Explaine

      May 29, 2019, 6:06 am
      In a new format we are producing videos offering tips and solutions to common problems in under a minute. In this free video tutorial we show you how easy it is to colour tracks and clips in Pro Tools.

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    • AOTG
      VFX

      What is A VFX Supervisor, Mike Ford Explains

      May 28, 2019, 3:07 pm
      A great visual effects supervisor is essential for any animated or vfx-driven live-action film, but what does a supe actually do during a film’s production? It might surprise some to learn that the role of a vfx supervisor isn’t purely technical. “A lot of it is just communication,” says Mike Ford, the vfx supervisor of Hotel Transylvania 3. “It’s getting people to talk to one another.”

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    • Resolve 16 and Fusion 16 - Beta 3 Now Available
      EDITING

      Resolve 16 and Fusion 16 - Beta 3 Now Available

      May 28, 2019, 3:07 pm
      During NAB 2019, Blackmagic Design announced DaVinci Resolve 16 and Fusion 16. Blackmagic is known for listening to its customers and releasing several Betas before the final version to correct bugs and improve its software. They just released the third Beta of DaVinci Resolve 16 and Fusion 16. Let’s take a closer look.

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    • AOTG
      EDITING

      Editor Debbie Berman on Editing Captain Marvel

      May 28, 2019, 3:06 pm
      After earning $425.8 million domestic and $1.127 billion worldwide, Captain Marvel debuts today in post-theatrical via priced-to-buy digital HD. The DVD and Blu-ray (and priced-to-rent VOD options) will street on June 11, but for now those who want to buy the 21st MCU movie (and the first with a solo female protagonist) in online/streaming/VOD capacity can now do so for around $20.

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    • Resolve on an old laptop? Alex Jordan shows us how
      EDITING

      Resolve on an old laptop? Alex Jordan shows us how

      May 28, 2019, 10:30 am
      Many people hear about DaVinci Resolve and its incomparable innovations for both editing and grading, but are afraid it could never work well with a weaker, older laptop computer without an external GPU. Alex Jordan of Learn Color Grading (and his cat) teach us how to optimize DaVinci Resolves settings on an old computer to make it work comfortably, without an eGPU, even with 4K footage, in 5 simple steps. Enjoy Alex Jordan’s excellent video and my comments.

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    • AOTG
      EDITING

      Why Adobe Doesn't want you to use older versions

      May 28, 2019, 10:30 am
      Last week, users of older versions of Adobe Creative Cloud products began receiving emails indicating that they were no longer licensed to use anything but the most recent versions of the software. Let’s take a look at what’s going on.

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    • Azin Samari on Editing Lorena
      EDITING

      Azin Samari on Editing Lorena

      May 27, 2019, 12:20 pm
      Gordon and Azin Samari sit down to discuss the four-part documentary Lorena that recounts the Lorena and John Bobbit saga.

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    • AOTG
      VFX

      5 VFX and animation events not to miss at Annecy

      May 27, 2019, 12:17 pm
      The Annecy Festival kicks off on 10th June, 2019, and befores & afters will be there to cover some of the latest, and upcoming, happenings in the world of animation and VFX. Here’s a heads up on five of our ‘don’t-miss’ events at Annecy. If you’re heading to the festival, please get in touch to say hi.

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    • Creatures, fire and atmospherics: cooking up a GoT
      VFX

      Creatures, fire and atmospherics: cooking up a GoT

      May 27, 2019, 12:17 pm
      Weta Digital handled a lot of complex visual effects work in the final season of Game of Thrones, totalling some 600 shots. To get a sense of how some of that broke down, befores & afters talked to visual effects supervisor Martin Hill about three particular aspects of the work: creatures, fire and atmospherics. Come with us on a visual journey through this work to find out how it was accomplished on a very large scale.

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