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March 6, 2009, 12:10 pm
Amid the pre-Oscar festivities, the American Cinema Editors (ACE) held its ninth annual Invisible Art Visible Artist Seminar with the Academy Award-nominated picture editors at the Egyptian Theatre in Hollywood on the eve of the Oscars. Moderated by Alan Heim, A.C.E., the seminar featured insightful conversation about their nominated films and their approach to editing.
June 8, 2009, 6:51 pm
From the USA comes: Post Production Standards a blog about maintaining film editing standards. It primarily civers post technology a lot but is a great resourse. Its contributors are: Justin Bourret, Scott Janush, Carrie Puchkoff, Dan Ward and Sharon Smith Holley.
June 8, 2009, 1:52 pm
BURBANK — For those of you who might not have pre-teens, teenagers, children of any age, a television set or computer, Hannah Montana is a Disney Channel show featuring Miley Cyrus as a teenage girl who leads a secret life as a rock star when not attending school and hanging out with her friends.
June 6, 2009, 1:50 pm
David Rennke has been an editor for more than 20 years and has used every editing system imaginable—but always finds himself gravitating back to Avid. On his latest project, editing King Hollis’ independent film Pearl, Rennke used Avid Media Composer 3.0.5. He edited most of Pearl’s dailies on his laptop, on set, which made the process convenient and efficient. For finishing, he used Avid DS v.10 with DNxHD 220x. This allowed everything to work seamlessly and without any crashes—something...
June 3, 2009, 1:49 pm
This was sent to me by a reader of Scott Simmons Blog with the request that I post it for everyone to see. A very interesting look into editing, this short documentary was made by an editor for the BBC. The editor is Bill McKenna and he was recently made Editor of the Year.
June 2, 2009, 1:48 pm
Recently, I worked on a show where the budget allowed me to stay on as the stage editor. The mixer on the show occasionally used a de-click/de-crackle program during pre-dubs. I knew about a few of these plug-ins, but seeing one in action piqued my interest to find out just how much they can do.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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