Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
March 4, 2011, 3:01 pm
In this tutorial, Apple Certified Master Trainer Simon Walker shows you quick ways of applying cartoon effects to footage using ToonIt!, as well as FCP tips for working more quickly in the interface.
January 1, 2010, 7:12 am
Back in the day, the last large mainstream facility that I helped design, install and manage was geared towards episodic TV series post. We had several dedicated linear bays, DaVinci film transfer, graphics/VFX and audio mixing suites.
December 31, 2009, 6:10 am
Looking back, maybe we could say 2009 was the year the playing field got a little more level. It was the year competition seemed to return, the year some of the hoopla subsided and people settled in around the idea that no single application is perfect and that each has its strengths and weaknesses.
December 31, 2009, 6:09 am
Film editor Pietro Scalia talks to journalist Mark Salisbury about working on Ridley Scott's BAFTA-winning epic, Gladiator. Discover how he dealt with the death of Oliver Reed three weeks before finishing shooting.
December 30, 2009, 6:08 am
VLC is a cross-platform media player that can handle all sorts of audio and video files. It's open source, free, and available for Mac, Linux, and Windows, which makes it all sorts of awesome. There's even a portable version that you can run from a USB flash drive. And that's why it's pretty exciting that the some of the folks who brought us VLC are now working on a cross-platform video editor called VideoLAN Movie Creator, or VLMC.
December 30, 2009, 6:07 am
Christopher Nelson, ACE, has what many would consider a dream job. During the summer he's editing AMC's Emmy Award-winning Mad Men, and in the winter he turns his attention to the phenomenon known at ABC's Lost — he is currently cutting the last season of the show.
December 29, 2009, 6:06 am
Final Cut Studio, Adobe and Avid editors and digital filmmakers from around the world will gather together for the Ninth Annual San Francisco SuperMeet, to be held on Friday, February 5, 2010 at the UCSF Mission Bay Conference Center in San Francisco, CA.
December 29, 2009, 6:05 am
There’s one woman in the world who understands Quentin Tarantino better than anybody, and that’s Sally Menke. Since her work on Reservoir Dogs, Menke has cut every single one of Tarantino’s films, and for the last decade, she’s eschewed almost all other jobs to devote herself solely to the genre-blending auteur. This Sunday, Menke will be receiving the Lifetime Achievement honor at the Hamilton Behind the Camera Awards, and as Inglourious Basterds begins its transformation from unexpected summer
December 28, 2009, 6:05 am
There is a saying that a film is made on two tables. One is story table and the other is editing table. It is left to the editor to change the fortune of the film with fine editing. Marthand K Venkatesh is an ace film editor in Telugu film industry today. 70% of the film he edited went on to become the blockbusters. Idlebrain.com has met up with him and a long personal as well as technical interview on film editing. Here are the excerpts...
December 28, 2009, 6:04 am
Ken Sallows is one of Australia's most noted editors. His career started in the 1970s working at Crawford Productions on legendary TV shows like Homicide, Bluey, and The Sullivans. He moved into the film world as an assistant editor on Fred Schepsi's The Chant of Jimmy Blacksmith (1978). His break as a feature editor came with Malcolm (Nadia Tass, 1986). Since then he has worked on some of Australia's most critically acclaimed films including Celia (Ann Turner, 1989), Proof (Jocelyn Moorhouse...
December 28, 2009, 6:04 am
The Story Department, a Sydney, Australia based website founded by OZZYWOOD Films producer and Story Analyst Karel Segers, requested my article on screenwriting for editing. They improved my article with a few astute edits and illustrations. Here’s the lead paragraph...
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.