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March 6, 2011, 9:46 am
Live demonstration at the UK Final Cut User Group, February 24, 2011. Featuring: using Mask shapes to selectively colourise parts of an image; how to set Scratch Discs (correctly); the importance of keeping all media and project of a single drive; understanding Image and Wireframe and the different modes.
April 30, 2010, 7:10 pm
Here's a snapshot from NAB 2010; an interview by my good friend Dave Basulto, aka, TheMediaMogul, with Wes Plate of Automatic Duck. Wes talks about his new announcements at the show, and has a little fun with Dave.
April 29, 2010, 7:08 pm
Well, all right, I’m exaggerating there. I don’t really think that Red should buy FCP, and Production and Post aren’t exactly at war (though sometime you’d be forgiven if you thought that) but I want to make a point here.
April 29, 2010, 7:07 pm
The Final Cut Pro User Group Network has been producing the SuperMag as part of their worldwide SuperMeet series for several years. Now that NAB 2010 is behind us and the NAB SuperMeet is a memory they’ve just release the 4th edition of the SuperMag ... for free.
April 28, 2010, 7:07 pm
There will be a memorial service for Dede Allen, A.C.E. Steven J. Ross Theatre Warner Bros. 4000 Warner Boulevard Burbank, CA Sunday, May 16, at 3:00 p.m. "In the spirit of Dede, feel free to wear bright colors."
April 28, 2010, 7:06 pm
The revolutionary editor Dede Allen, ACE (86) passed away on Saturday April 17th after a stroke. Born in 1923 and still editing in 2008 Dede cut many landmark films including the ground breaking Bonnie and Clyde and The Hustler.
April 28, 2010, 7:05 pm
Now that NAB 2010 is behind us, and the dust has settled a bit from all the news and product developments, it's a good time to clear up a little bit of confusion that seems to be out there regarding the launch of Imagineer Systems' mocha v2 and Adobe's CS5 launch.
April 27, 2010, 7:04 pm
Avid Media Composer remains the standard package for the higher end of professional digital video editing. In the past, even the software-only version came with an astronomical price to match its professional image. This has prevented the application from filtering down to smaller independent videomakers, and Apple’s Final Cut Pro has been nipping at its heels.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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