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March 6, 2011, 9:46 am
Live demonstration at the UK Final Cut User Group, February 24, 2011. Featuring: using Mask shapes to selectively colourise parts of an image; how to set Scratch Discs (correctly); the importance of keeping all media and project of a single drive; understanding Image and Wireframe and the different modes.
April 18, 2010, 6:41 pm
First off, this was an extremely strong show for post. Tons of new versions of many of your favorite NLEs, color grading tools and other items. Second, the attendance was good. A bit more than last year – so still a "down" year compared with peaks of a few years ago. Yet, I felt the floor density was higher than the 2009 vs. 2010 numbers indicated.
April 17, 2010, 6:40 pm
Another tidbit from NAB — a demo of Avid’s online, editing-in-the-cloud product. Just a technology demonstration, but it’s pretty darn impressive. If it was simply another editing application it wouldn’t be all that interesting, but all of the media and all of the editing action is taking place on a server thousands of miles away.
April 17, 2010, 6:39 pm
So this week at NAB Avid released details about their upgrade to the Media Composer editing system. Talk about gamechanger. Avid now allows for dragging and dropping in the timeline, native Quicktime AND RED support (and I’m not talking about Quicktime Proxies here),
April 16, 2010, 6:38 pm
I work from home about 50% of the time. I do all of that work off of a MacBook Pro. I would love to invest in a nice Mac Pro setup, but whenever I do hard core work I get brought into an office with a nice Symphony system or FCP suite.
April 16, 2010, 6:34 pm
Sandip Mahal, London, UK, working on a playout for the executives. Sandip writes, "The person in the monitor’s story is being trapped and isolated from civilisation... i can relate..." Latest project: "i am about to embark on a totally independent crazy shooting spree filming myself and...
April 15, 2010, 6:33 pm
When the economy tanked in late 2008, I was forced to look at my business and figure out how to best combat the severe downturn in revenue. We have primarily offered post production services since opening in 2004,
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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