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March 7, 2011, 3:41 pm
In order to edit well you need to watch & know your footage so that you can assemble it into a coherent film. All the automation & metadata in the world don't change that. It has been this way for over 100 years. So I ask, what are editing systems missing that prevent that from happening?
July 25, 2009, 4:39 pm
Yes we all new it would eventually come... the "new Final Cut Studio" was announced. We’ll let the cheers and moans begin after a few days of testing the final release (just ordered mine 30 minutes ago). But there are a few surprises.. mainly price!
July 23, 2009, 4:36 pm
For the two or three of you who don’t know yet, Apple released its updates to its suite of video applications today. Final Cut Suite 3, has updates and new enhancements to nearly all of the parts of the suite, including some cool title manipulation tools in Motion, voice level matching in Soundtrack Pro (a boon to quick and easy temp mixing), cooler markers and more flavors of ProRes in Final Cut, and more. Some of the features, like a floating...
July 21, 2009, 4:30 pm
Thelma Schoonmaker has edited every one of director Martin Scorsese's movies, from Raging Bull to The Aviator. She talks about how film editing has changed over the past 30 years and how she got her first big break editing Scorsese's student film at NYU.
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
Gordon Burkell sits down to talk to Bruno Verdoni, who plays Pat in Molly's Game, about acting, working with Aaron Sorki ...
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
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