Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
March 10, 2011, 9:21 pm
This article, third in a DV Info Net series exploring Adobe Premiere Pro CS5, has as its focus three elements for consideration by those folks who are considering a move to Premiere Pro from other video editing applications (previously we had published Premiere Pro CS5 Tips, Tricks and Notes, by various DVi contributors, as well as Adobe Premiere Pro CS5 Six Months Later, by Pete Bauer).
April 25, 2018, 9:17 am
Andrew Kramer from Video Copilot is back with Chapter 2 of his Cinematic Title Design series. This time it is Damage and Decay FX. Learn how to create a procedural decay system capable of generating realistic rust, moss, cracks, corrosion and more, right inside After Effects.
April 25, 2018, 9:16 am
Developers at Pixel Film Studios, creators of visual effect tools for the post-production and broadcast markets, announced the availability of TransPuzzle enabling film editors to add spectacular jigsaw piece transitions to Final Cut Pro X projects.
April 24, 2018, 12:41 pm
Color Match is new in the April, 2018, update to Adobe Premiere Pro CC. What it does is allow you to compare two shots side by side, then automatically select color and gray-scale data from a reference image and apply it to the current shot.
April 24, 2018, 12:41 pm
We were able to sit down with VFX Supervisor Adam Clark at NAB to pick his brain about the history of Fusion and its future with Blackmagic. As long-time Fusion user, Clark has seen many iterations of the node-based compositor, which was already a robust program when it was originally authored by eyeon, but says that the game has been changed now that Fusion has made its way into the hands of Blackmagic.
April 24, 2018, 9:16 am
For the Film/VFX Character portion of the Beneath the Waves Challenge, participants were tasked with producing a rendered aquatic character with no paintovers. Strong composition, modeling, texturing and lighting were the main judging criteria to evaluate the entries.
April 23, 2018, 5:31 pm
LOS ANGELES -- The Academy of Motion Picture Arts and Sciences and the ABC Television Network announced key dates for the 91st Oscars. The Academy Awards presentation will air live Feb. 24 on ABC.
Gordon Burkell sits down with Tristan Oliver to discuss his work on Isle of Dogs for Wes Anderson.
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.