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March 14, 2011, 5:20 pm
If you ever record dual-system audio or multiple camera angles without synchronized timecode, you’ll wonder how you ever survived without PluralEyes added to your editing software. Users of Premiere Pro CS5 for Mac who are aware of PluralEyes for other editing programs will be happy to know that a version of PluralEyes is now available for their preferred app too. This article will go over PluralEyes'
July 16, 2019, 6:13 am
Sydney, Australia, is to be home to Industrial Light & Magic’s fifth production hub. The Disney-owned special effects company currently has facilities in San Francisco, Vancouver, London and Singapore.
July 16, 2019, 6:13 am
This is an extended version of the presentation I gave at Sea Connect Creative Conference in Malaysia and Singapore in which I breakdown a title animation created for the session. I use included effects plus some third party scripts including Physics Now, Squash & Stretch Pro, Speed Lines and stock including Grit Kit and ink footage.
July 16, 2019, 6:12 am
Although digital has largely taken over as the primary capture format, many filmmakers are now choosing to shoot their projects on film. Whether you’re looking for a specific creative aesthetic or just enjoying the process of film, understanding film stock options will help you in this stage of the creative process.
July 12, 2019, 9:37 am
In 1971, the fetishizing of firearms in American cinema entered a provocative new phase when Clint Eastwood unholstered his Smith & Wesson Model 29, pointed its sleek, 8⅜-inch black-steel barrel at Albert Popwell’s head and inquired as to the gentleman’s sense of good fortune.
July 10, 2019, 6:32 am
Mikki Rose, the SIGGRAPH 2019 conference chair, has had a long association with SIGGRAPH, both as a member of the VFX and animation community (she’s currently a senior fur technical director at Blue Sky Studios) and as a regular conference volunteer.
July 9, 2019, 6:10 am
Directing duo Christian Chapman and Paul Jason Hoffman’s micro-budget film, their debut narrative short and first use of visual effects, envisions the wild sensory experiences of a German Shepherd’s late-night forest prowl.
Gordon sits down with Michelle Miller to discuss the makeup of PEN15
Gordon sits down with Tony Kearns to discuss editing Black Mirror: Bandersnatch.
Jim Flynn and Gordon sit down to discuss the editing of The Haunting of Hill House.
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