Welcome to AOTG.com

Sign up free

Be a part of a unique online community that connects post production professionals and film academics worldwide.

You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.

Member Login

Social Login!

Not a Member? Sign Up!

(minimum 3 characters)
I agree with the Terms of Use and Privacy Policy
To receive account info and prevent it landing in your spam folder, add info@aotg.com as an email contact.

  • AOTG

    Technology Talk: how big a deal is 4:2:2?

    March 15, 2011, 9:09 am
    4:2:2 used to be outside the reach of many independents who were locked into the world of 4:2:0 or 4:1:1 production. Now that Apple's 10-bit, full raster ProRes codec is widely used in the post production industry, the codec has also found it's way into devices enabling native ProRes recording on acquisition. The advantageous are clear: 10-bit, full raster, very high quality recording; with a smooth, efficient, post-production process. The questions remain - do you need 4:2:2?

    • Report
    • Share
    • Save

    Share this posting

  • Other Postings By Member


    Newest From Aotg.com
    Stay Informed
    • Mail List

      E-Mail Newsletter

      Choose what Post News gets sent directly to your E-Mail, daily or weekly.

    • Apple iOS Mobile App

      AOTG App for iOS

      Get your post news on your favourite Apple device, when you want it where you want it.

    • Android Mobile App

      AOTG App for Android Devices

      Get your post news on your favourite Android device with the AOTG Android App.