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March 18, 2011, 10:28 am
I’m pretty pleased with the way the latest episode of SMR turned out and there’s quite a lot in it that’s quite interesting so I thought it’d make a good case study looking at the way post-production can bring a project to life. It’s fair to say that the post in SMR is labour intensive, mind-numbingly, insanely post heavy. Each of these episodes is turning into a mini visual FX-laced short film now and we’re looking to push the production value up much higher in the coming months.
September 28, 2016, 2:35 pm
Matte painting TD and environment lead Jeremy Boissinot shares his workflow and provides practical tips for approaching a big photorealistic shot efficiently, based on his work on Jack the Giant Slayer for Rodeo FX.
September 28, 2016, 4:54 am
I've had some discussions with a few people about the need to try preserve some of the pre-Digital visual effects equipment (optical printers, animation stands, motion control systems, etc) as well as archiving images and other material. This would also apply to miniatures and models.
September 27, 2016, 12:11 pm
In the past two months, Stranger Things has quite literally taken over the world. And in a recent podcast interview, the show's two editors shared some insights into how their work helped shape the show into what it is.
September 27, 2016, 5:55 am
In this free video Pro Tools Expert team member Dan Cooper tests two of the new features in Pro Tools 12.6 by Avid...
Gordon sits down with Federico Brusilovsky to discuss the editing of commercials and rebuilding older brands. He cuts in LA f ...
With the release of FRONTLINE'S latest 360 project, "Night of the Storm", Kenzie Audette reveals the post prod ...
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts ...
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