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  • Getting Going with Encore 1

    Getting Going with Encore 1

    March 20, 2011, 5:56 pm
    Encore is Adobe's very powerful DVD and Blu-ray production software and ships with Premiere Pro and is capable of producing Hollywood standard DVDs. In this series of tutorials, Andrew Devis demonstrates how to get started with Encore so that you can produce high quality DVDs that reflect your work. In this first tutorial Andrew shows how to get your sequences into Encore ready to link up for DVD/Blu-Ray/Web DVD creation

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  • Other Postings By Member

    • MC5 Review... SOON!
      EDITING

      MC5 Review... SOON!

      May 30, 2010, 5:16 pm
      I’ve just received a copy of Avid Media Composer 5.0 – it’s a bit like Christmas! I’ve had a chance to try some of the big new features – AMA linking to RAW RED media and Canon DSLR clips, but it’s going to take me a while to dig right into the new features – I may even have to read the manual!

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    • Cutting Room Eps. 031 - Michael R. Miller Pt. 1
      EDITING

      Cutting Room Eps. 031 - Michael R. Miller Pt. 1

      May 30, 2010, 12:55 pm
      This week Gordon interviews Michael R. Miller, editor of Swing Kids, Raising Arizona, Stigmata and Ghost World as well as many other great films.

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    • Fix FCP's Media Management
      EDITING

      Fix FCP's Media Management

      May 29, 2010, 5:15 pm
      Media management has long been considered Apple Final Cut Pro’s Achilles’ Heel. In reality, FCP has gotten better in this regard and does a pretty decent job of linking project master clips to media.

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    • AOTG
      EDITING

      Gone Phishin', Stereo Workflow and FCP

      May 29, 2010, 5:14 pm
      When Action 3D Productions hired an editor to cut the concert film Phish 3D, it made sense that they’d go to Don Wilson's Americana Media. Wilson is an Emmy-winning producer-director-editor whose experience in the industry stretches back to the early days of MTV, when he was cutting promo clips for any number of top-tier acts.

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    • AOTG
      EDITING

      Cutting on Cloud 9

      May 28, 2010, 5:13 pm
      "This is not Media Composer," says Avid senior product designer Frank Capria. "I could be anywhere. All the media you’re going to see is in Tewksbury. You just clone it." The Avid system is so quick and looks so much like Media Composer that Capria has to explain to the audience that the video he’s editing is actually being edited thousands of miles away and streaming back.

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    • Avid, Kick Ass and the Editing Room
      EDITING

      Avid, Kick Ass and the Editing Room

      May 27, 2010, 5:13 pm
      It’s obvious when talking to Hamilton that he’s as passionate about technology as he is about storytelling. "I love the technology," he says. "My first love is editing a scene—after all, a film is written on the page and rewritten in the edits—but I also love working on intricate visual effects, or building a theatrical sound track."

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    • CS5 with FCP and MC
      EDITING

      CS5 with FCP and MC

      May 27, 2010, 5:11 pm
      Since so many industry professionals typically use a variety of production and post-production tools on virtually every project, it’s really important to move media and sequences between tools seamlessly.

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    • Audio Timewarp
      EDITING

      Audio Timewarp

      May 27, 2010, 5:10 pm
      Everybody knows the Timewarp only applies to video. But what if you want to change the speed of your audio as well? In this episode, we’ll do just that with the help of a couple of different AudioSuite plugins that come with Media Composer.

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    • The Right Tool For the Right Job & ROI
      EDITING

      The Right Tool For the Right Job & ROI

      May 27, 2010, 5:09 pm
      AppleInsider had an article on May 18, 2010 which was titled "Apple Scaling Final Cut Studio Apps to fit prosumers" which generated a ton of blogosphere panic. Even I was caught up in the rumor mongering here, reacting to a post I’d read on Twitter and then, after reading the AI piece, tweeting about it myself.

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    • Avid Embracing Third Party Hardware?
      EDITING

      Avid Embracing Third Party Hardware?

      May 27, 2010, 5:08 pm
      What this seems to suggest is that the hardware barrier is soon to fall. One of the most common criticisms of Avid’s systems in the last few years has been the cost of proprietary hardware, while Final Cut Pro and Premiere have been supporting a wide range of low-cost I/O hardware.

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