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  • Getting Going with Encore 1

    Getting Going with Encore 1

    March 20, 2011, 5:56 pm
    Encore is Adobe's very powerful DVD and Blu-ray production software and ships with Premiere Pro and is capable of producing Hollywood standard DVDs. In this series of tutorials, Andrew Devis demonstrates how to get started with Encore so that you can produce high quality DVDs that reflect your work. In this first tutorial Andrew shows how to get your sequences into Encore ready to link up for DVD/Blu-Ray/Web DVD creation

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  • Other Postings By Member

    • Yeah, Tapes are Infallible, Right...
      EDITING

      Yeah, Tapes are Infallible, Right...

      December 24, 2009, 5:54 am
      One argument I hear against tapeless formats OVER AND OVER again is, to paraphrase, "tapes are infallible. You can’t accidentally delete a clip from a tape. Having a PHYSICAL tape in your hand makes you sure you have the footage and it is there, and usable, and I can see it YEARS from now."

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    • Obscure Faces
      EDITING

      Obscure Faces

      December 24, 2009, 5:53 am
      Sometimes, you need to obscure the face of a person, be it for legal or aesthetic reasons. In this episode, we’ll do just that using a very special technique.

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    • AOTG
      EDITING

      Heliocentric Pantheon and Walter Murch Interview

      December 23, 2009, 5:52 am
      Through both film editing and sound design, Walter Murch has worked literally behind the scenes of Hollywood to give shape and structure to the films we see. In the process, he's won three Academy Awards; he's directed his own feature-length film, the creatively subversive Return to Oz; and he's worked with some of the greatest directors of modern times, including Francis Ford Coppola and George Lucas, on some of their greatest films, from The Godfather trilogy and Apocalypse Now to...

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    • AOTG
      EDITING

      Interview with Matt Chesse

      December 23, 2009, 5:51 am

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    • Commentators on the Language of Film Editing
      EDITING

      Commentators on the Language of Film Editing

      December 23, 2009, 5:51 am
      Some filmmakers simply tell a tale and use editing, camera and sound to portray it as artfully as possible. The editing remains mostly invisible in their hands as we become absorbed in story, place and characters. Directors Steven Spielberg, Ang Lee, and James Cameron fit this description. Other directors - Quentin Tarantino, Jean Luc Godard (and others in the 1950s French New Wave) Martin Scorsese, Francis Ford Coppola, Mel Brooks...

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    • Avid Screencast - Red Workflow II
      EDITING

      Avid Screencast - Red Workflow II

      December 23, 2009, 5:49 am
      This is the second of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this episode, we’ll take a sequence that was offline edited in Avid Media Composer and onform it to 4K DPX files for grading. For this, we’ll use Monkey Extract. Sorry for being late with this one, but I was not at home and couldn’t remote into my computer to upload the podcast. My bad.

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    • AOTG
      EDITING

      The Invisible Cut

      December 22, 2009, 5:48 am
      The UCLA Film and Television Archive and American Cinema Editors (A.C.E.) present "Film Editing: The Invisible Cut" with author Bobbie O’Steen in discussion with film editor Carol Littleton, on Sunday, January 10, 2010, 7 p.m., at the Billy Wilder Theater, 10899 Wilshire Boulevard, Los Angeles, along with screening of the 1981 film noir "Body Heat." Littleton was interviewed in O’Steen’s book, "The Invisible Cut: How Editors Make Movie Magic" and will talk about her work on "Body Heat,"...

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    • AOTG
      EDITING

      Sam Pollard Web Interview

      December 22, 2009, 5:46 am
      Here's a short interview with Sam Pollard, Spike Lee's Editor.

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    • AOTG
      EDITING

      Digital Asset Management Conference

      December 21, 2009, 5:45 am
      February 17th and 18th in Universal Hilton, Universal City, CA This conference and expo will shape the standards and explore the urgent global issues of digital asset management in the entertainment and media sector. This two day professional conference is comprised of keynote presentations, expert panels, and educational sessions from technology leaders and industry insiders. The event also features an expo floor of exhibitors and industry sponsors providing a unique opportunity to explore spe

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    • AOTG
      EDITING

      Ramy Katrib: Founder and CEO, Digitalfilm Tree

      December 21, 2009, 5:45 am
      When FCP hit the world back in 1999 the program was regarded as a video editing application. For those wishing to work with film, and match the negative to the edit produced within Final Cut, this was a formidable challenge. Those at a Los Angeles based edit facility known as DigitalFilm Tree were pioneers who broke through the wall of expensive post production and made film editing using FCP possible. Ramy Katrib, Founder and CEO of DigitalFilm Tree, was instrumental in making this happen...

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