Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
March 23, 2011, 11:32 am
Adobe recently published (with the help of Richard Harrington) a new collection of Adobe Creative Suite 5 Production Premium tips and tricks. This document was created to support DSLR workflows with Creative Suite Production Premium, but there are tips in here that are of use to just about everyone.
September 29, 2008, 3:40 pm
Avid today announced that it has signed a R3D Software Developer’s Kit (SDK) License agreement – as part of the company’s continued commitment to enhancing its RED camera workflows. "We are excited to begin a more formal relationship with RED and this announcement is just one step in that process," said Kirk Arnold, EVP of Customer Operations, Avid Technology. "Many of our customers have already completed RED projects using Avid systems – as we have developed solutions in the interim...
September 26, 2008, 3:38 pm
The ADG 2008 Conference, In Good Company: Creative Collaborations commences in Sydney on Thursday 25th, and closes on Sunday 28th September. Sunday’s sessions will be of particular interest to editors and sound designers, including...
September 26, 2008, 3:37 pm
Avid has "New Thinking," Final Cut Pro has "Editing Unleashed." Now, with the major release September 23 of its Creative Suite 4 Production Premium, Adobe’s watchword is "Product Intelligence." But is it change we can believe in? The short answer is a resounding (though early) yes, as Adobe representatives explained in a recent media conference call. The company is rolling out new full versions of After Effects, Premiere Pro, Photoshop Extended, Illustrator, Flash Professional, Soundbooth...
September 13, 2008, 3:05 pm
We’ve seen the remarkable ability of the RED ONE camera to draw crowds at conventions and to tease our imaginations with the promise of recording digital cinema quality 4K images (4096x2304) at half the price of high-end HD cameras. But amidst the buzz we haven’t seen much proof of its production on the big screen—until now. Digital cinema projects shot with the RED ONE are finally making their way through postproduction, answering whether digital systems can wrestle with these massive files.
September 12, 2008, 3:04 pm
Apparently, the truth is still out there. And Fringe, the new one-hour drama from Bad Robot Productions’ J.J. Abrams, Roberto Orci and Alex Kurtzman (Alias, Mission Impossible III, Star Trek) that premieres in September, is determined to find it. Or at least to garner good ratings trying.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.