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March 27, 2011, 10:37 am
On some possessions we place priceless sentimental value. We can't imagine living without them. But beauty can be in the eye of the beholder, as is the case in this short film about a guy and a shirt, called The Rock Shirt (<-- watch in glorious HD at this link, or embedded below).
September 20, 2017, 8:13 am
While they have their own Oscar’s category and on occasion take over the iTunes’ charts, the musical accompaniment to our favorite films and TV shows often seem invisible. This is both a good and a bad thing. To not notice a song or a score in the background of a scene means that the perfect song has been chosen or the perfect score has been crafted and the sound work is smooth, but noticing the impact this sound design has on the story of the film or television show should be something we always try to do. Especially when considering it has such a strong role in guiding our emotions to where the storytellers intended them to go.
September 20, 2017, 8:13 am
Learning when to say no is a valuable skill for a freelancer – here's when you should definitely do it.
September 19, 2017, 7:48 am
hen I featured Adam Tinius’ Pulp Fiction soundtrack essay, I noted that Shaun of the Dead has some of my all-time favorite needledrops and cheekily-named song selections. Turns out, Tinius has created the same kind of rapidfire sonic punchline collage with director Edgar Wright’s entire Cornetto Trilogy.
September 19, 2017, 7:48 am
Check out the work of Rodeo FX in the Season 4 of BLACK SAILS in this VFX Breakdown...
September 16, 2017, 3:31 pm
Jason Ballantine, ASE (Australian Screen Editors) has been in the film industry since 1992 and is currently living in Los Angeles. He has won and been nominated for several Australian Awards for The Great Gatsby, Wish You Were Here and Wolf Creek. He was also a part of the Oscar winning team for Mad Max: Fury Road. In this installment of Art of the Cut, Jason and I discuss his most recent feature, Stephen King’s IT.
September 16, 2017, 3:30 pm
Maya LT provides several ways to rig characters for animation, giving character riggers the most flexibility.
September 16, 2017, 3:30 pm
Ultimatte 12 will be demonstrated at IBC 2017, on the Blackmagic Design booth. Discover a new realtime hardware compositing processor that’s perfect for broadcast quality keying and much more.
September 16, 2017, 3:30 pm
The Sennheiser FOCUSMIC Digital is an on-smartphone microphone designed for video journalism and vlogging with iPhones. The microphone is directional and can be quickly orientated for a variety of filming scenarios with your front-facing or rear camera.
September 15, 2017, 1:35 pm
In our third look at MAGIX Vegas Pro we’re looking at a bit more depth when it comes to effects and adding some pizazz to your video. Like many other NLEs, Vegas Pro has a palette full of video effects (more can be added via the Vegas plug-ins) that can be applied using a clip by clip method. You can also apply effects to an entire track without using the adjustment layer way of working that some other NLEs use. But the design of Vegas takes effects one step further and lets you apply effects to the entire project which can give you more options during the edit. If you wanted to apply something like a vignette or color correction to the entire edit you could do that by applying the effect to the video master output.
September 15, 2017, 4:06 am
When audiences inevitably marvel at the computer-generated worlds in Guillermo del Toro's The Shape of Water and the Angelina Jolie-produced animated drama The Breadwinner, both screening at this year's Toronto Film Festival, it will be thanks in large part to Ontario's thriving visual effects community.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
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