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April 3, 2009, 12:47 pm
When it comes to increased productivity and better efficiency while editing, saving time every place an editor can will help increase that productivity and efficiency. And we all know saving time is the client’s favorite thing as saving time means saving money. My favorite time saver in Final Cut Pro has been to remap the majority of the default keyboard setup. Since I began using FCP way back around 1999, one of my earliest thoughts was that the default keys weren’t very well thought out.
August 5, 2008, 9:42 am
In this segment Dan gives us some great insights into the feature film editorial process. We discuss topics such as what it’s like screening the "first cut" with the director and starting out on the directors cut, bringing the length of IRON MAN down from 3.5 to it’s final running time of 2 hours, exploring variations of the film and reinventing scenes, and something he fondly refers to as "index card death row".
August 3, 2008, 9:39 am
Today we present Part II of my interview with Dan Lebental, film editor of Paramount Pictures and Marvel Entertainment’s, IRON MAN. In this segment Dan talks about his experience cutting on the Avid Media Composer, working with the visual effects team (upwards of 800 people) at ILM and the economics and intricacies of cutting a film with nearly 1000 visual effects shots. We go on to discuss the state of, and need for, industry accepted digital post production workflows. Finally, we talk...
Gordon sits down with Michelle Miller to discuss the makeup of PEN15
Gordon sits down with Tony Kearns to discuss editing Black Mirror: Bandersnatch.
Jim Flynn and Gordon sit down to discuss the editing of The Haunting of Hill House.
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