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March 31, 2011, 1:27 pm
In the same way that sports was the "killer app" that fueled early interest in HDTV, many sports networks such as ESPN 3D and Sky 3D are betting that live sports will drive the fledgling 3DTV medium. With many sports aficionados among the early adopters of 3DTV, broadcasters are hustling to produce as much live 3DTV sports as possible, and they need stereo 3D production tools that make the job faster, easier, and more cost-effective.
January 22, 2019, 5:25 am
Come have a look at how Pixomondo enhanced the various stunts and locations for THE GIRL IN THE SPIDER’S WEB...
January 22, 2019, 5:24 am
(Los Angeles, CA--January 15, 2019) Today, the Visual Effects Society (VES), the industry’s professional global honorary society, announced the nominees for the 17th Annual VES Awards, the prestigious yearly celebration that recognizes outstanding visual effects artistry and innovation in film, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on artists who bring this work to life. Avengers: Infinity War garners the most feature film nomination with six. Incredibles 2 is the top animated film contender with five nominations and Lost in Space leads the broadcast field with six nominations.
January 21, 2019, 6:53 pm
I just started using Rizom UV and spent some time working out a possible workflow between Cinema 4D and Substance Painter via Rizom UV. Check out Part 2 to see how I solved the multiple UV Set issue and also more detail on the Substance Painter Live Link workflow.
January 21, 2019, 6:53 pm
In this episode we talk with Andrew Stirk about the sound work he did as the Sound Supervisor and re-recording engineer, on the recent film "A Private War". We discuss the films gritty, almost documentary-like approach to sound and the times when they threw the realism out the window to create impactful moments in the story.
January 21, 2019, 6:53 pm
(January 18, 2019) (Los Angeles, CA--January 18, 2019) The Los Angeles Section of the Audio Engineering Society and the Hollywood Section of the Society of Motion Picture and Television Engineers® (SMPTE®) will host a joint meeting this month exploring sound production for Columbia Pictures and Sony Pictures Animation’s Golden Globe®-winning feature film Spider-Man™: Into the Spider-Verse. The meeting is slated for Thursday, January 31 at the Sony Pictures Studio lot in Culver City, California.
January 21, 2019, 5:33 am
Welcome to part four of the PremiumBeat Resolve Editing crash course. In this episode, we look at audio features on the edit page.
January 21, 2019, 5:33 am
The LuxCoreRender team has released version 2.1 of the open-source physically based renderer, adding a new image denoiser, plus the option to pause and resume renders via the Blender integration plugin.
January 19, 2019, 9:36 am
In this premium video tutorial, Pro Tools Expert team member Julian Rodgers looks at the possible uses for half speed record in Pro Tools. Is it useful for more than creating octave up special effects?
January 19, 2019, 9:36 am
STUDIO CITY, CALIF -- The Motion Picture Sound Editors (MPSE) today announced nominees for the 66th Annual MPSE Golden Reel Awards, which recognize the work of the world’s most talented sound artists and their outstanding achievement in sound editing in 23 categories encompassing feature films, television, animation, computer entertainment and student productions.
January 19, 2019, 9:36 am
Studio’s head and executive creative director will share inner workings of their visual and physical effects work on Disney's BAFTA and VES-nominated sci-fi adventure.
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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