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March 31, 2011, 1:27 pm
In the same way that sports was the "killer app" that fueled early interest in HDTV, many sports networks such as ESPN 3D and Sky 3D are betting that live sports will drive the fledgling 3DTV medium. With many sports aficionados among the early adopters of 3DTV, broadcasters are hustling to produce as much live 3DTV sports as possible, and they need stereo 3D production tools that make the job faster, easier, and more cost-effective.
September 18, 2020, 5:04 pm
Let’s have a trip into Deep Space with DNEG about their work on the Netflix series, AWAY...
September 18, 2020, 1:15 pm
FuseFX have posted a VFX breakdown for Snowpiercer.
September 18, 2020, 1:15 pm
We all know it takes many artists to deliver visual effects for a big film or television show. Which is why I wanted to get multiple perspectives from the team at Framestore for how they realized the visual effects for Henry Joost and Ariel Schulman’s Project Power, which recently premiered on Netflix.
September 18, 2020, 1:15 pm
In this edition, check out an Away VFX breakdown, Adam Savage shows off his first-ever lightsaber prop replica build, and more.
September 18, 2020, 1:14 pm
The task wasn’t easy: select, over 60 days, 60 seconds to represent 60 years of NASA history. Here’s how the creative agency Oxcart Assembly worked to celebrate America’s return to human space flight
September 17, 2020, 4:47 pm
Jon Favreau’s The Mandalorian took home five Emmy’s to lead the winners last night, as the Television Academy presented the third of its five 2020 Creative Arts Emmy Awards ceremonies honoring outstanding artistic and technical achievement in television. The ceremony awarded many talented artists and craftspeople in the categories of Scripted Programming.
September 17, 2020, 4:47 pm
It’s becoming more common for external EQ and mixers to be replaced by a versatile integrated amplifier with audio processing. We asked four industry experts from different companies to share the benefits of these simple yet robust amplifiers and describe some applications where they will make a difference.
September 17, 2020, 4:46 pm
Let’s make some superpowered, space-age HUDs! These blockbuster effects are surprisingly easy to nail, and they’re a sure-fire way to add instant production value to your film and video projects.
September 17, 2020, 1:12 pm
Warner Bros. has posted its ‘The Fire Rises: The Creation & Impact of The Dark Knight Trilogy’ on YouTube, a lengthy doco on the trilogy. There’s some fun VFX shots and behind the scenes material here, including a few pieces of Two-Face test footage.
September 17, 2020, 1:12 pm
In our new column Color Code, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind color and how it plays into both the scene and the film as a whole. For his third entry, he analyzes Jane Campion’s In the Cut.
Gordon sits down with Shawn Paper to discuss Crashing, editing, and the new film The Broken Hearts Gallery.
Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Ch ...
Gordon sits down with Sam Ejnes, Re-Recording Mixer, and Pete Nichols, SFX Editor, who helped craft the sound for Mythic Ques ...
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