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  • AOTG

    HPA Honorees Set For NAB Post Pit

    April 2, 2011, 8:27 am
    Winners of special honors from the 2010 Hollywood Post Alliance Awards and highlights from the HPA's Tech Retreat will be featured in NAB's Post Pit on April 13. The HPA Judges Award for creativity and innovation in postproduction, the engineering excellence award and "best of Tech Retreat" winners will all be featured from 10:00 a.m. to 4:00 p.m., at the Post Pit in the South Hall, booth number SL12205.

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  • Other Postings By Member

    • AOTG
      ANIMATION

      John Lasseter Taking Leave Of Absence From Pixar

      November 21, 2017, 1:58 pm
      John Lasseter, the architect of Pixar and Disney’s juggernaut animation operations, is taking a leave of absence from his post effective immediately. He holds the title Chief Creative Officer of Walt Disney and Pixar Animation Studios, and Principal Creative Advisor for Walt Disney Imagineering.

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    • Cut Me: The Surgical Editing of 'Raging Bull'
      EDITING

      Cut Me: The Surgical Editing of 'Raging Bull'

      November 21, 2017, 1:57 pm
      irector Martin Scorsese has worked with editor Thelma Schoonmaker for four decades, resulting in editing Oscar wins for three of their movies: The Departed, The Aviator, and, the one that cemented the pair’s working relationship, Raging Bull. The meticulous sports opus is one of the most stylish the director’s ever made, with each scene’s craft leaping out of its stark black and white.

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    • Joe Walker talks about editing Blade Runner 2049
      EDITING

      Joe Walker talks about editing Blade Runner 2049

      November 21, 2017, 11:27 am
      Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first about the editing of Sicario and the second time about editing Arrival.

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    • New 2D, 3D & VFX Courses Coming Soon at CG Master
      VFX

      New 2D, 3D & VFX Courses Coming Soon at CG Master

      November 21, 2017, 11:19 am
      Courses have started for the Fall term, but CGMA hasn’t let up on giving students access to the best resources an aspiring artist could ask for. CGMA, one of the leading providers for a digital arts education, has been working hard to make sure students are well-equipped to enter into the industry with all the skills they need. Admissions help, award-winning instructors, and payment plans starting at $50 to claim your seat are just some of the perks of becoming a CGMA student.

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    • THOR - RAGNAROK: Chad Wiebe - VFX Supervisor
      VFX

      THOR - RAGNAROK: Chad Wiebe - VFX Supervisor

      November 21, 2017, 11:19 am
      In 2016, Chad Wiebe explained the work of Method Studios on DOCTOR STRANGE. He then joins Industrial Light & Magic and returns to the Thor universe for THOR: RAGNAROK.

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    • AOTG
      VFX

      DETROIT: VFX Breakdown by Image Engine

      November 21, 2017, 6:03 am
      Have a look at the seamless work of Image Engine made for DETROIT...

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    • AOTG
      VFX

      Behind the scenes of ‘Valerian’s’ Big Market

      November 21, 2017, 6:03 am
      When Valerian and the City of a Thousand Planets was released, I got the opportunity to talk to both overall VFX supe Scott Stokdyk and ILM supervisor Philippe Rebours about the Big Market sequence. Now with the film set for home entertainment release, there’s a snippet of one of the featurettes available on the Big Market sequence.

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    • Redshift Renderer - Eps. 106
      VFX

      Redshift Renderer - Eps. 106

      November 21, 2017, 6:03 am
      This is Allan McKay. Welcome to Episode 106! I’m speaking with Nicolas Burtnyk, Co-Founder and CEO of Redshift, and Rob Slater, Co-Founder and Vice President of Engineering.

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    • ‘Mudbound’: Editing Dee Rees’ WWII Epic Was
      VFX

      ‘Mudbound’: Editing Dee Rees’ WWII Epic Was

      November 20, 2017, 6:42 pm
      Race and poverty intertwine in director Dee Rees’ powerful Oscar contender, “Mudbound” — a potential game changer for Netflix. But Rees and her “Pariah” editor Mako Kamitsuna decided early on that their sprawling movie about a black and white family in the 1940s Mississippi Delta was getting lost in the interlocking narratives. They needed to find the connective tissue that united them in their struggle for the American Dream.

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    • AOTG
      EDITING

      When should a filmmaker become a part of the Doc

      November 20, 2017, 12:05 pm
      Sometimes, the story of a documentary film is best told by inserting the filmmaker into the tale and onto the screen. This could be due to something the filmmaker experienced, or something they did, or when they serve as a narrator or host. The filmmaker might have a personal connection with the story, or due to budget or access, the film becomes more doable when the filmmaker serves a function onscreen.

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