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  • AOTG

    Digital Heaven: demonstration of Final Print 2.0

    April 3, 2011, 10:25 am
    Recorded live at the UKFCUG meeting, Birmingham, March 31, 2011.

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  • Other Postings By Member

    • AOTG
      VFX

      How to make...lighting with your hands!

      June 12, 2019, 12:19 pm
      In writing about VFX, I’m sometimes guilty of describing perhaps in too simple terms how a shot or sequence goes from concept to final. There are, of course, so many steps along the way, and I was intrigued how perhaps just one department, such as compositing, handles its part of the process.

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    • AOTG
      ANIMATION

      When is an animated film not an animated film

      June 12, 2019, 9:10 am
      What is an animated film? Type that question into Google, and the first response you’ll see comes from FilmSite: “Animated Films are ones in which individual drawings, paintings, or illustrations are photographed frame by frame (stop-frame cinematography). Usually, each frame differs slightly from the one preceding it, giving the illusion of movement when frames are projected in rapid succession at 24 frames per second."

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    • AOTG
      VFX

      Corona Renderer 4 for 3ds Max is shipping

      June 12, 2019, 6:36 am
      Corona Renderer for 3ds Max 4 is shipping. The major update to the 3ds Max production renderer adds an intuitive new caustics system and integrates Intel’s Open Image Denoise render denoiser.

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    • AOTG
      VFX

      Autodesk unveils 3ds Max 2020.1

      June 12, 2019, 6:33 am
      3ds Max 2020.1 introduces further updates to the 3D animation software’s Chamfer modifier, including the option to use Weight channel data from a mesh to control the chamfering of edges and mitered corners.

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    • AOTG
      VFX

      VIEW CONFERENCE 2019 - First Speakers Teaser

      June 12, 2019, 6:33 am
      VIEW Conference have announced their first speakers and really impressive!

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    • AOTG
      EDITING

      Having Variety in Editing Software

      June 12, 2019, 6:33 am
      Last time, I talked about editing software that is subscription-based, namely, Adobe Premiere Pro. As I mentioned, although I was concerned about the subscription aspect of the product, even more important is having the tools I need.

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    • AOTG
      EDITING

      Working with Different Frame Rates in Resolve

      June 12, 2019, 6:33 am
      I would be hard-pressed to admit that I don’t love Resolve — because I do. It’s been a pleasure to watch it grow from “just” color-grading software to a leading NLE. However, every so often, I come across a feature that doesn’t like to respond to my request, which feels like your favorite dog chewing up a prized possession.

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    • AOTG
      VFX

      SHAZAM! VFX Supervisor

      June 10, 2019, 9:19 am
      Francis Puthanangadi began his career in visual effects in 1998 and joined Digital Domain in 2006. He has worked on many films such as TRON: LEGACY, IRON MAN 3, AVENGERS: INFINITY WAR and AQUAMAN.

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    • AOTG
      EDITING

      Think the new Mac Pro is too expensive? It isn't.

      June 10, 2019, 5:54 am
      I’m going to say it right away: I really like the look of the new Mac Pro. It has a classic restraint and elegance, and yet looks assertively modern. If it resembles a cheese grater, then that’s a massive compliment to the kitchen utensil.

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    • Speed: a tale of many buses
      VFX

      Speed: a tale of many buses

      June 10, 2019, 5:54 am
      If it was made today, it’s possible that some of the on-the-bus sections of Speed would be filmed on a sound-stage against bluescreen. But that’s not at all how the 1994 Jan de Bont movie was staged. Every bus shot takes place on a real bus, and there were actually around ten different buses retro-fitted for different kinds of action in the film.

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