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April 10, 2011, 11:04 am
LAS VEGAS – NAB Show – April 7, 2011 – NewTek, worldwide leader in video and 3D animation products, announces DataLink 3.0, the latest update to the LiveText 2 integrated application that allows operators to pre-produce graphics and titles, and deliver real-time display of constantly updated information instantly to NewTek TriCaster.
September 22, 2017, 9:08 am
BWIN “THE RACE”: MAKING OF BY GLASSWORKS
September 22, 2017, 5:16 am
Houdini 16’s new terrain tools are built on heightfields. Heightfields in Houdini are groups of 2D volumes displayed in the viewport and at render time, as a distorted grid. In this masterclass, we delve into what these are, and how you can use them beyond terrains.
September 22, 2017, 5:16 am
Create a Text Reveal Motion Graphic in Blender: Part 1
September 21, 2017, 4:39 am
Editor’s Note: The Blue Collar Post Collective is a 501c3 non-profit organization that seeks to support emerging talent in all areas of post production. BCPC does this through free meet-ups and events, and a financial aid program called the Professional Development Accessibility Program (PDAP).
September 21, 2017, 4:39 am
Learning the craft of editing is a real challenge with so many opportunities to look like a complete and utter noob. For those of us who have ever worked professionally as an editor, we can all collectively wince as we think back unfondly at the countless mistakes we made in our early days, but for those of you who are new to editing, well, you just get to learn from our green-eyed blunders.
September 20, 2017, 5:17 pm
In this episode, Matt Wallin, Matt Leonard and Jason Diamond discuss the new film IT.
September 20, 2017, 8:13 am
While they have their own Oscar’s category and on occasion take over the iTunes’ charts, the musical accompaniment to our favorite films and TV shows often seem invisible. This is both a good and a bad thing. To not notice a song or a score in the background of a scene means that the perfect song has been chosen or the perfect score has been crafted and the sound work is smooth, but noticing the impact this sound design has on the story of the film or television show should be something we always try to do. Especially when considering it has such a strong role in guiding our emotions to where the storytellers intended them to go.
September 20, 2017, 8:13 am
Learning when to say no is a valuable skill for a freelancer – here's when you should definitely do it.
September 19, 2017, 7:48 am
hen I featured Adam Tinius’ Pulp Fiction soundtrack essay, I noted that Shaun of the Dead has some of my all-time favorite needledrops and cheekily-named song selections. Turns out, Tinius has created the same kind of rapidfire sonic punchline collage with director Edgar Wright’s entire Cornetto Trilogy.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
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