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April 10, 2011, 11:04 am
LAS VEGAS – NAB Show – April 7, 2011 – NewTek, worldwide leader in video and 3D animation products, announces DataLink 3.0, the latest update to the LiveText 2 integrated application that allows operators to pre-produce graphics and titles, and deliver real-time display of constantly updated information instantly to NewTek TriCaster.
June 27, 2017, 5:15 pm
Music-licensing platform newcomer Soundstripe stays fresh by launching a website overhaul and a host of new features. Read on to find out more and get a discount coupon code!
June 27, 2017, 1:52 pm
Heads Up Displays, or HUDs, are a great way to add a high tech vibe to film projects. It all started with Minority Report (2002); the film’s floating computer displays were so influential they even inspired real-world innovations. And where would Tony Stark be without them in the Iron Man movies, where the shots inside his suit are accompanied by slick holographic interfaces?
June 27, 2017, 9:30 am
In 2015, Alex Wuttke explained to us about the work of Double Negative on ANT-MAN. Then he worked on SPECTRE.
June 27, 2017, 9:30 am
“Kong: Skull Island” is not the only Hollywood movie to employ dizzyingly fast editing, but the latest installment of Legendary Entertainment’s MonsterVerse is taking some hits for its rapid cutting pace. A YouTube video entitled “TERRIBLE editing in Kong: Skull Island” reveals that an early sequence in the film averages one cut every two seconds during a nearly five-minute span.
June 27, 2017, 7:13 am
A LEO Family linear reinforcement system from Meyer Sound was recently used for the main PA at a commemorative 50th edition of the Monterey International Pop Festival.
June 27, 2017, 7:13 am
CGF // Visual Effects Facility – A Valeriy Todorovskiy film vfx breakdown.
June 27, 2017, 7:13 am
One night when I was about 7 years old, I caught my mum sliding a quarter under my pillow. I had just lost a tooth and having caught my mum red-handed, I had to deal with having the Tooth Fairy myths busted.
June 27, 2017, 7:13 am
Whether it's working with a couple of shots or hundreds, the key to successfully incorporating VFX work into projects lies in ruthless organisation. From naming conventions to working with dailies, Arthur Ditner offers some hard-won advice.
June 27, 2017, 7:12 am
Color by Numbers: Sofia Coppola’s Pastels
June 27, 2017, 7:12 am
In this Episode, Allan McKay interviews Philippe Leprince, Senior Field Engineer at Pixar Animation Studios. He currently works as an Engineer on the RenderMan Software. Philippe has a Lighting and CG background and has worked at Framestore and Double Negative, and many other big studios. Among his many credits are feature films like Harry Potter and the Prisoner of Azkaban (Framestore); The Dark Knight and Inception (Double Negative).
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
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