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  • AOTG

    Importing and Decoding Tools 2 Accelerate Tapeless

    May 4, 2009, 1:22 pm
    Calibrated Software, an innovator of applications and plug-ins for video, asset management and mobile platforms, today announced an enhanced family of cross-platform tools to streamline and speed the process of viewing and using high-definition camera and other video files within popular post-production systems and editing packages.

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  • Other Postings By Member

    • AOTG
      EDITING

      CUTTING 'THE INCREDIBLE HULK' DOWN TO SIZE

      August 18, 2008, 2:13 pm
      Universal Pictures’ The Incredible Hulk, directed by Louis Leterrier, stars Edward Norton as the tortured scientist who’s been poisoned by gamma radiation. Interestingly, Leterrier chose three editors to cut the feature. Here we talk to Rick Shaine, who shares editing credits with John Wright and Vincent Tabaillon, about the film’s workflow and the challenges of cutting an effects-heavy film.

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    • AOTG
      EDITING

      EDITING REALITY TV

      August 18, 2008, 2:10 pm
      It’s like some kind of dream for an editor — you get an endless supply of tapes, or digital files, and your job is to shape the content into a winning TV program that will engross skads of viewers once it’s passed muster with your producers, your director and the network. But there is no script. And you have to turn out a fresh, great-looking show every week. And the competition for those viewers could not be more fierce. And the tapes just keep coming and coming. It could...

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    • AOTG
      EDITING

      GBFTE Announces Coates Fellowship

      August 15, 2008, 2:07 pm
      The Guild of British Film and Television Editors has created a fellowship in honour of Anne Coates.

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    • AOTG
      EDITING

      Tour de 'Source

      August 14, 2008, 2:04 pm
      As a music editor, one of my most time-consuming tasks is just finding music, and I have always clung to the wish that I could find a one-stop place to shop for source music. And, taking that wish a step further, that after finding, cutting and clearing those obligatory "name artist" soundtrack tunes, I wish I could type in a few keywords and then head off to the beach. For me, that wish was answered when I discovered MasterSource’s online music library and accompanying MasterSearch...

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    • AOTG
      EDITING

      A Joint Venture

      August 14, 2008, 2:02 pm

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    • AOTG
      EDITING

      Assistant Living

      August 14, 2008, 2:01 pm
      Assistant editor Kyle Gilman’s career path has forked in many directions, including a series of roads less traveled, as he works his way toward his first, inevitable, full editor position. Following his unconventional path, this past year the 28-year-old served as assistant on three features––all of them due for release this year: Choke (September) and Blind Date (TBA), both of which premiered at the Sundance Film Festival in January, and Lake City (TBA), which had its first screening...

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    • AOTG
      EDITING

      ASE Call For Awards

      August 12, 2008, 1:59 pm
      The Austrailian Screen Editors Guild is calling for entries in its annual ASE "Elephant Stamp" Awards The categories include: Short Film, Television Dramea, Television Non-Drama, Documentary, Commercial and Feature Film.

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    • Comedy Editing Seminar
      EDITING

      Comedy Editing Seminar

      August 12, 2008, 1:56 pm
      Seminar four: Learn what some of the greats do to edit comedy films. NOTE: We have removed the films audio due to copy right reasons. (Edit Fest 2008)

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    • AOTG
      EDITING

      Film Editor James Haygood on 30-Second Stories

      August 9, 2008, 2:54 pm
      James Haygood got his big break back in the mid-1980s, when he connected with a young music-video director named David Fincher. The happy collaboration led to A-list editorial credits for Haygood, including Madonna's "Vogue" and The Rolling Stones' "Love Is Strong," a number of TV commercials, and eventually feature-film work — The Game, Fight Club, and Panic Room. More recently, he worked as co-editor (with Spike Jonze regular Eric Zumbrunnen) on Where the Wild Things Are, and took up...

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    • AOTG
      EDITING

      How the West Was One

      August 8, 2008, 2:56 pm
      They say everything comes in threes. On September 9, Warner Home Video releases three home entertainment packages—a high-definition Blu-ray and two standard-definition boxed sets––of the restored How the West Was Won, MGM’s 1962 all-star Western epic that was one of only two narrative features shot entirely in the original Cinerama three-panel widescreen process (The Wonderful World of the Brothers Grimm was the other). The film won three Academy Awards––Best Screenplay (James R. Webb)...

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