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May 4, 2009, 1:22 pm
Calibrated Software, an innovator of applications and plug-ins for video, asset management and mobile platforms, today announced an enhanced family of cross-platform tools to streamline and speed the process of viewing and using high-definition camera and other video files within popular post-production systems and editing packages.
September 30, 2008, 12:18 pm
This week we interview Michael Tronick about his experience editing such films as Mr. and Mrs. Smith and Hairspray. Check out his IMDB entry for his full list of credits.
September 29, 2008, 3:40 pm
Avid today announced that it has signed a R3D Software Developer’s Kit (SDK) License agreement – as part of the company’s continued commitment to enhancing its RED camera workflows. "We are excited to begin a more formal relationship with RED and this announcement is just one step in that process," said Kirk Arnold, EVP of Customer Operations, Avid Technology. "Many of our customers have already completed RED projects using Avid systems – as we have developed solutions in the interim...
September 26, 2008, 3:38 pm
The ADG 2008 Conference, In Good Company: Creative Collaborations commences in Sydney on Thursday 25th, and closes on Sunday 28th September. Sunday’s sessions will be of particular interest to editors and sound designers, including...
September 26, 2008, 3:37 pm
Avid has "New Thinking," Final Cut Pro has "Editing Unleashed." Now, with the major release September 23 of its Creative Suite 4 Production Premium, Adobe’s watchword is "Product Intelligence." But is it change we can believe in? The short answer is a resounding (though early) yes, as Adobe representatives explained in a recent media conference call. The company is rolling out new full versions of After Effects, Premiere Pro, Photoshop Extended, Illustrator, Flash Professional, Soundbooth...
September 13, 2008, 3:05 pm
We’ve seen the remarkable ability of the RED ONE camera to draw crowds at conventions and to tease our imaginations with the promise of recording digital cinema quality 4K images (4096x2304) at half the price of high-end HD cameras. But amidst the buzz we haven’t seen much proof of its production on the big screen—until now. Digital cinema projects shot with the RED ONE are finally making their way through postproduction, answering whether digital systems can wrestle with these massive files.
Gordon sits down with Spencer Averick to discuss editing "When They See Us" and his working relationship with Ava D ...
Lawrence Jordan joins Gordon to discuss editing, 2-pop, and his new venture Master the workflow.
Tom Ohanian is legendary; he helped create Avid and make it the industry standard in post-production and now, he has released ...
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