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  • AOTG

    ASSIMILATE Unveils Next Generation of SCRATCH

    April 11, 2011, 12:06 pm
    Apr 11, NAB 2011, Las Vegas, USA: ASSIMILATE, the leading provider of powerful post-production tools for digital workflows, today announced that it is launching version 6 of SCRATCH, its best-selling comprehensive, end-to-end digital cinema and broadcast imaging tool for post-production workflows.

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  • Other Postings By Member


    • EDITING

      September 15, 2010, 10:07 am

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    • Improve FCP’s Media Management II
      EDITING

      Improve FCP’s Media Management II

      September 15, 2010, 9:33 am
      well this seems like a nice solution if you are working in a offline/online situation on big projects in FCP due the media management an storage situation can be a bit messy from time to time...

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    • The Final Cut Tipping Point
      EDITING

      The Final Cut Tipping Point

      September 14, 2010, 10:04 pm
      Ten years ago there were few options for professional non-linear editing. Avid had the lion’s share with their Media Composer and Film Composer products, and for the slightly lower budget there was Avid MCXpress (distinct from Xpress DV), then the rest of the market was split across products from Media 100, Sony and a few others. All were expensive, complicated and difficult to get.

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    • AOTG
      EDITING

      Sorenson Releases Squeeze 6.5 with Video Decoding

      September 14, 2010, 11:14 am
      SAN DIEGO (September 14, 2010) - Sorenson Media today announced the immediate availability of Sorenson Squeeze 6.5, which adds greater encoding, publishing, pre-processing and filtering functionality to the industry-leading online video encoding product. The Squeeze 6.5 update is free to current Sorenson Squeeze 6 users.

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    • AOTG
      EDITING

      ASE Color Grading Workshop Pt. 1 of 9

      September 14, 2010, 9:54 am
      Australian Screen Editors presents "Making The Grade", a seminar on colour grading in FCP by Peter Cave. This is part 1 of 9. Topics covered in this part include: Eye & Vision Tests, Munsell Hue Test, 3-Way Color Corrector, Setting White Level. Peter Cave is a colourist with 20 years freelance experience. Special thanks to Swinburne University School of Film &TV for hosting and filming the event on 13 July 2009.

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    • RED updates REDCINE-X with 2 big features
      EDITING

      RED updates REDCINE-X with 2 big features

      September 14, 2010, 9:27 am
      When RED introduced REDCINE-X it took the moderately useful and occasionally maddening REDCINE and turned it into an actual usable application. The best thing about this essential RED workflow tool is that it’s in a constant state of being upgraded with bug fixes and new features ... and it is free! This past weekend RED posted yet another new version of their Useful Tool with two big features: 3D stereo support and R3D trimming.

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    • Want to get the hand tool back in CS5?
      EDITING

      Want to get the hand tool back in CS5?

      September 13, 2010, 7:36 pm
      We recently upgraded to cs5, and for everything good that it does, it also has a few weird quirks. The most notable is that using the space bar to temporarily select the move tool (the one that looks like a hand) does not work. This is a known issue, but it still sucks. The only workaround is equally quirky: shut down your web browsers. I can’t say why it happens, but hopefully that one trick will keep you from throwing your machine against a wall. I was really close!

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    • AOTG
      EDITING

      Black Hawk Down | Editor Pietro Scalia | BAFTA

      September 13, 2010, 1:27 pm
      Film Editor Pietro Scalia talks to BAFTA and journalist Mark Salisbury about working with Ridley Scott on Black Hawk Down. Scalia explains how he cut complex action scenes with numerous actors spread over multiple locations.

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    • AOTG
      EDITING

      Good Will Hunting | Editor Pietro Scalia | BAFTA

      September 13, 2010, 1:26 pm
      Film Editor Pietro Scalia dissects a key scene from Gus Van Sant's Good Will Hunting and explains the need for editors to resist the temptation to make a cut. "Its always about how the psychology of the viewer works. And we can manipulate that we do it continuously."

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    • AOTG
      EDITING

      JFK | Editor Pietro Scalia | BAFTA

      September 13, 2010, 1:25 pm
      Film Editor Pietro Scalia talks to BAFTA and journalist Mark Salisbury about working on Oliver Stone's JFK.

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