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April 11, 2011, 12:06 pm
Apr 11, NAB 2011, Las Vegas, USA: ASSIMILATE, the leading provider of powerful post-production tools for digital workflows, today announced that it is launching version 6 of SCRATCH, its best-selling comprehensive, end-to-end digital cinema and broadcast imaging tool for post-production workflows.
November 3, 2010, 11:24 am
In Final Cut Pro it can be very useful to not show the audio track names. Because the audio track name goes right over top of the waveform when you have them active, they can make seeing the waveform difficult. Especially at an edit where the name of the outgoing clip is right next to the name of the incoming clip. Depending on how zoomed in on the timeline you are this can make a significant amount of the waveform difficult to see.
November 2, 2010, 8:13 pm
A lot of people are talking about CUDA and the GPU in the context of Premiere Pro CS5. But the talk is almost always about speed, speed, and more speed. Yeah, using CUDA on the GPU to process a lot of effects does speed things up (a lot!) in many cases, but that’s not the whole story.
November 2, 2010, 8:10 pm
Over dinner last night we were discussing the history of Final Cut Pro, various WWDC announcements and it suddenly struck me that Final Cut Pro 7 was originally going to be a 64 bit release, until Apple pulled the rug from under the Final Cut Pro team (as well as other developers, specifically Adobe).
November 2, 2010, 8:08 pm
Larry Jordan, editor of features and television and the founder of 2pop.com is building a new web site, with lots of interesting content: Hollywood Reinvented. He’s posted six short clips from an interview he did with me recently. Subjects include:
November 2, 2010, 8:06 pm
Last month I participated in a well-attended panel discussion on the evolution of the editor/assistant relationship. A nicely edited video from the session has been posted by the sponsor, the post house AlphaDogs. Expertly moderated by Debra Kaufman, the panel included me, Diana Friedberg (co-author of the new book, Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV), and our terrific assistants Peter Mergus and Carsten Kurpanek.
November 2, 2010, 8:01 pm
We all know one of the chief drawbacks to shooting with (current generation) DSLRs are the rolling shutter artifacts that show up on shaky or fast-panning shots. It turns out that iMovie '11, in addition to interesting movie trailer templates, includes a filter that can decrease or eliminate these annoying artifacts. Here’s a comparison from Nino Leitner of some Canon T2i footage, before and after using the iMovie '11 filter:
November 2, 2010, 3:11 pm
Two days till we kick out the jams at the 2010 AES Show. I’ll be going, and you might be going, but what about those other folks that can’t make it but want to be in the loop about what we’re doing at the show? Well we have those folks covered too.
November 2, 2010, 11:26 am
Ryan R. Moos, Visual Effects Editor, Editor, Assistant Editor During his time at Video Symphony in the Film & TV Editing program he branched out and took additional motion graphics and effects classes beyond the required coursework. His hard work has certainly paid off with the box office hit, Beverly Hills Chihuahua under his belt along with other exciting projects including the TV Series Knight Rider, the independent feature film The Narrows...
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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