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July 21, 2009, 4:30 pm
Thelma Schoonmaker has edited every one of director Martin Scorsese's movies, from Raging Bull to The Aviator. She talks about how film editing has changed over the past 30 years and how she got her first big break editing Scorsese's student film at NYU.
July 20, 2009, 4:27 pm
In 1987 AVID technology began life as a company and in the years that followed the entire workflow for editing film was to be changed forever. A core team of people were involved in the development of the AVID, from the initial idea by Bill Warner, to the technical creation of a system which still rules Hollywood today. Tom Ohanian was part of the AVID founding team, those who brought the Media Composer, the FIlm Composer and Avid Multicamera Systems into being.
July 16, 2009, 4:23 pm
ARRI creates and manufactures the ARRIFLEX D21 digital cinema camera. The camera generates raw image sequences which can be recorded on to digital recording systems such as S.Two’s DFR system and Codex Digital’s field recorders. ARRIRAW files are saved to these devices, preserving the maximum fidelity of the image captured by the D21 cinematography camera. The ARRIRAW Toolkit allows MacOSX users to work with these ".ari" files natively in Final Cut Studio and any Quicktime enabled application.
July 16, 2009, 4:22 pm
Over the past few weeks I’ve found several great tutorials on using Avid & Boris FX together. Some of them have already been posted on PVC, some haven’t. I wanted to put them all together into one place. Media Composer ships with both Avid FX (a special Avid version of Boris Red) and Continuum Complete. When you put it together it makes for an extremely powerful compositing and FX solution.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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