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  • AOTG

    Budget Cutting "Crazy" Workflow Saves Si

    May 15, 2009, 1:31 pm
    Crazy Heart, a recently completed low-budget indie feature, marks the feature film directing debut of actor and writer Scott Cooper. It also features a rarely tried, cost-efficient post-production workflow that provided some challenges for editor John Axelrad and first assistant editor Tom Cross. Shot in and around Santa Fe, New Mexico, Crazy Heart stars Jeff Bridges, Maggie Gyllenhall, Colin Farrell and Robert Duvall. The Tender Mercies-like plot (enhanced by the presence of that 1981...

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  • Other Postings By Member

    • Cinema 4D at Adobe MAX and NAB NY
      ANIMATION

      Cinema 4D at Adobe MAX and NAB NY

      October 16, 2017, 9:48 am
      MAXON will take its Cinema 4D Release 19 to two major industry shows this month: Adobe MAX and NAB Show New York, where the company will also present its new Cineware plug-in for Illustrator.

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    • SHADOW OF WAR "Friend or Foe"
      VFX

      SHADOW OF WAR "Friend or Foe"

      October 16, 2017, 6:23 am
      Check out this VFX Breakdown about the work of MPC on SHADOW OF WAR “Friend or Foe”...

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    • AOTG
      EDITING

      All 23 Subliminal Shots in David Fincher's MINDHUN

      October 16, 2017, 6:23 am
      David Fincher is known for his creative and visually ground-breaking title sequences.

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    • AOTG
      VFX

      Blackmagic Fusion 9's Most Powerful Tool

      October 16, 2017, 6:23 am
      Meet The Custom Tool, the most powerful and versatile tool in Blackmagic Fusion's entire toolbox ??" which ironically appears to do nothing when you first apply it. That’s because it’s a tool designed for building your own tools from scratch. That may sound daunting, but under the guiding hand of longtime VFX artist, editor, and business owner Simon Ubsdell, it’s engaging, empowering, and just plain fun. If you are new to Fusion and to compositing you'll find plenty of useful information here, including how to work with channels to create complex effects surprisingly simply. Bonus tips on expressions and keying, too!

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    • AOTG
      EDITING

      Adobe AE: Glitch Effects Without Using Plug-ins!

      October 16, 2017, 6:23 am
      Join VFX guru Tobias Gleissenberger for a fun, high-energy look at how to create all sorts of digital noise, glitch, and other disturbing video effects with any version of Adobe After Effects, without using any plug-ins!

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    • AOTG
      EDITING

      Editing 101: What Are J and L Cuts

      October 16, 2017, 6:23 am
      We all know that editing is a complicated craft that requires years of experience to achieve even a modicum of proficiency, but there are some techniques you can learn that can help up your editing game right here, right now. One of those techniques is called the "J" or "L" cut. What the heck are those?

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    • AOTG
      ANIMATION

      Mustang: Crew Strikes, Achieves Union Contract

      October 15, 2017, 4:30 pm
      Last week, crew members on the Legende Films production of Mustang walked off the set, on strike for benefits and better working conditions. On Thursday, an IATSE contract was successfully negotiated and production resumed with a union crew! Kudos to IATSE International Representative Jamie Fry (@the_Jamie Fry) and all those that helped with the effort!

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    • AOTG
      EDITING

      The First 6K Native Workflow in Premiere Pro

      October 15, 2017, 5:35 am
      As a filmmaker, I always want to challenge myself both creatively and technically. I pursue projects that can stimulate me on several levels. If I am going to commit a year of my life to a feature film…it is crucial that I walk away with new skills, a successful storytelling experience and a lot of fun in the trenches with my team.

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    • Review: MotionVFX’s mFlare 2 Plugin
      EDITING

      Review: MotionVFX’s mFlare 2 Plugin

      October 15, 2017, 5:34 am
      MotionVFX recently released their long awaited updated to their excellent flare generator suite mFlare, aptly called mFlare 2.

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    • AOTG
      EDITING

      Mark Wilkins on ‘The Exorcist’ Series

      October 14, 2017, 5:43 am
      Colorist Mark Wilkins has a message for audiences: Think twice before believing everything you see on TV. A veteran colorist whose credits include Ugly Betty (2010-2016) CSI: Miami (2002-2012) and numerous television commercials, he cautions that colorists can brighten cloudy days and dial down the color of a red dress. Using digital technology, colorists both fine-tune and sometimes transform the palette of a project.

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