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  • NAB 2011 - Day 1

    NAB 2011 - Day 1

    April 12, 2011, 8:35 am
    NAB 2011 has officially begun. Form the post production, editing, and finishing point of view some of the leading events were...

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  • Other Postings By Member

    • AOTG
      VFX

      BERLIN ALEXANDERPLATZ: VFX Breakdown by Pixomondo

      October 1, 2020, 7:05 pm
      Come have a look at the seamless work by Pixomondo on BERLIN ALEXANDERPLATZ...

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    • AOTG
      VFX

      "Humble Cut" Editing is the Secret Weapon of VFX

      October 1, 2020, 7:05 pm
      Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video that explores how editing can be used for visual effects.

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    • AOTG
      VFX

      ENOLA HOLMES: The VFX of the Train Sequence

      October 1, 2020, 7:05 pm
      Let’s take the train with Overall VFX Supervisor Michael Ellis explaining the different parts of the visual effects work (done by Mr. X and Host VFX) for the big train sequence in ENOLA HOLMES...

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    • AOTG
      VFX

      Ghost VFX Opens Vancouver B.C. Studio as Part of G

      September 30, 2020, 11:39 am
      LOS ANGELES -- Ghost VFX has announced the opening of their newest studio location in Vancouver B.C., a known hub of visual effects and animation. The company already has studios in Los Angeles, Copenhagen, London, and Manchester. This is one step in the VFX house’s expansion plan; they have also named Gillian Pearson as lead studio manager. In her new capacity, Pearson will oversee the day-to-day operations including recruiting a new team of top-tier talent, and overall studio management. The new Vancouver state-of-the-art facility will solidify the company’s global footprint.

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    • AOTG
      VFX

      Tim Crosbie on steering the VFX for ‘The Eight H

      September 30, 2020, 11:39 am
      When Tim Crosbie first signed on as VFX supervisor for Guan Hu’s Chinese war epic The Eight Hundred, he had little inkling the project would end up consuming the next two and a half years of his life.

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    • AOTG
      EDITING

      Switching From Apple Mac Pro 2009 To Mac Mini 2020

      September 30, 2020, 11:38 am
      Korey Pereira whose Dolby Atmos upgrade we featured had to replace his Pro Tools computer in a hurry when his cheese-grater failed unexpectedly. This is the story of what he chose to replace it with so that he could continue working in audio post-production and Dolby Atmos.

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    • AOTG
      VFX

      Mulan - VFX by Image Engine

      September 29, 2020, 4:13 pm
      Image Engine have posted a VFX breakdown for Mulan.

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    • AOTG
      VFX

      Away - VFX Breakdown by DNEG

      September 29, 2020, 4:13 pm
      DNEG have posted a VFX breakdown for Away.

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    • AOTG
      SOUND

      Why Edgar Wright's Films Are Straight Up Sound Por

      September 29, 2020, 4:12 pm
      You don't even need to open your eyes to know when you're watching an Edgar Wright film. The auteur uses sound in such an advantageous way that it propels the story without the audience even recognizing it's there. His movies are layered in rich sound design that is not cacophonous, but instead, moves to the rhythm of the visuals. As much as we pay attention to David Fincher's decisions behind every camera movement, Wright is an aficionado when it comes to understanding how sound can influence story.

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    • AOTG
      VFX

      AN AMERICAN PICKLE: Adam Rowland

      September 29, 2020, 4:12 pm
      In 2013, Adam Rowland explained the work of NVIZ on CAPTAIN PHILLIPS to us. He then worked on various films such as LEGEND, LIFE, THE COMMUTER and JURASSIC WORLD: FALLEN KINGDOM.

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