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April 12, 2011, 11:12 am
Matrox Video Products Group today announced support for Adobe Flash Media Live Encoder software with Matrox MXO2 I/O devices. The Matrox MXO2 family offers a full range of capture hardware solutions ideal for feeding live content to Adobe Flash Media Server software. Applications include field journalism, sports, live events, and distance learning.
October 1, 2020, 7:05 pm
Let’s take the train with Overall VFX Supervisor Michael Ellis explaining the different parts of the visual effects work (done by Mr. X and Host VFX) for the big train sequence in ENOLA HOLMES...
September 30, 2020, 11:39 am
LOS ANGELES -- Ghost VFX has announced the opening of their newest studio location in Vancouver B.C., a known hub of visual effects and animation. The company already has studios in Los Angeles, Copenhagen, London, and Manchester. This is one step in the VFX house’s expansion plan; they have also named Gillian Pearson as lead studio manager. In her new capacity, Pearson will oversee the day-to-day operations including recruiting a new team of top-tier talent, and overall studio management. The new Vancouver state-of-the-art facility will solidify the company’s global footprint.
September 30, 2020, 11:39 am
When Tim Crosbie first signed on as VFX supervisor for Guan Hu’s Chinese war epic The Eight Hundred, he had little inkling the project would end up consuming the next two and a half years of his life.
September 30, 2020, 11:38 am
Korey Pereira whose Dolby Atmos upgrade we featured had to replace his Pro Tools computer in a hurry when his cheese-grater failed unexpectedly. This is the story of what he chose to replace it with so that he could continue working in audio post-production and Dolby Atmos.
September 29, 2020, 4:12 pm
You don't even need to open your eyes to know when you're watching an Edgar Wright film. The auteur uses sound in such an advantageous way that it propels the story without the audience even recognizing it's there. His movies are layered in rich sound design that is not cacophonous, but instead, moves to the rhythm of the visuals. As much as we pay attention to David Fincher's decisions behind every camera movement, Wright is an aficionado when it comes to understanding how sound can influence story.
September 29, 2020, 11:05 am
Looking for a couple of hours of practical effects and models and miniatures interviews? Then don’t miss director, producer and model maker Berton Pierce’s YouTube channel, which has a whole bunch of segments, excerpts and bonus pieces from his Sense of Scale documentary.
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor. Including hiding people ...
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
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