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  • APPLE ANNOUNCES NEW FINAL CUT PRO X AT NAB

    APPLE ANNOUNCES NEW FINAL CUT PRO X AT NAB

    April 12, 2011, 11:14 pm
    Something as revolutionary as the first version of Final Cut Pro when introduced in 1999. That’s how the new version of Apples editing software was announced at the Final Cut Pro User Group Super Meet Up at NAB tonight.

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  • Other Postings By Member

    • AOTG
      VFX

      First Man's VFX and Using Archival Footage

      October 18, 2018, 8:42 am
      Watching Damien Chazelle’s First Man offers the earthbound viewer the chance to finally realize they don’t have the right stuff. For folks of a certain age, becoming an astronaut used to be one of the coolest possible professions, the kind of thing you said you wanted to be when you were little and didn’t know what engineering was. Or math. Or physics. And, most crucially, you didn’t realize how insanely dangerous it is.

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    • AOTG
      SOUND

      Awesome Audio Tools

      October 18, 2018, 8:42 am
      These days, for those involved in professional music production and audio editing, your main tool of the trade is pretty obvious these days: a good and capable digital audio workstation (DAW).

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    • AOTG
      EDITING

      Adobe's 'Fast Mask' can edit one object across an

      October 18, 2018, 4:49 am
      Last night at Adobe Max's Sneaks session, a showcase unveiling potential software features, comedian Tiffany Haddish and Adobe evangelist Paul Trani announced ten new tools that the company is exploring. The sneaks run the gamut from fun voice-to-music features to impressively useful tools like Smooth Operator, an intelligent vertical video cropping tool.

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    • AOTG
      EDITING

      AE Pixel Sorter 2 for AE

      October 17, 2018, 12:16 pm
      AE Pixel Sorter was the first tool to bring the pixel sorting glitch effect available for motion designers and video editors within After Effects. Experimenting with Pixel Sorting just became so much easier!

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    • AOTG
      VFX

      The Predator VFX Supervisor Interview

      October 17, 2018, 12:16 pm
      Matt Sloan began his career in visual effects in the early 2000s. He has worked on many projects such as DISTRICT 9, AVATAR, THE MARTIAN and MAZE RUNNER: THE DEATH CURE.

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    • LANDR and Mastering Your Cut's Audio
      SOUND

      LANDR and Mastering Your Cut's Audio

      October 17, 2018, 7:27 am
      Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at Adobe Max that LANDR is now available in Premiere Pro!

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    • ILM’s Rob Bredow to Talk ‘Solo: A Star Wars St
      VFX

      ILM’s Rob Bredow to Talk ‘Solo: A Star Wars St

      October 17, 2018, 4:42 am
      Even before he was promoted to SVP, executive director and head of ILM in May, Rob Bredow was a very busy man. He joined Industrial Light & Magic in 2014 as a visual effects supervisor, then quickly rose up the ranks, helping to launch ILMxLAB in 2015 to develop and release immersive entertainment, moving into the chief technology officer role at Lucasfilm in 2016 and most recently serving as visual effects supervisor and co-producer of Disney’s “Solo: A Star Wars Story,” working alongside director Ron Howard.

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    • Spotlight – Armen Kevorkian
      VFX

      Spotlight – Armen Kevorkian

      October 17, 2018, 4:42 am
      To create cinematic illusions, you need conjurors. In this series of spotlight interviews, we ask movie magicians what makes them tick.

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    • AOTG
      EDITING

      Radeon Pro WX 8200: best workstation graphics perf

      October 16, 2018, 12:18 pm
      Created for real-time visualization, VR and photorealistic rendering, the Radeon Pro WX 8200 offers users the best workstation graphics performance for under $1000. $999, to be exact!

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    • AOTG
      EDITING

      Matrox Ships Maevex 6121 Dual 4K Enterprise Encode

      October 16, 2018, 12:18 pm
      The What: Matrox Graphics has announce that the Matrox Maevex 6120 dual 4K enterprise encoder appliance is now shipping. Leveraging the same capture and real-time encoding technology as the Matrox Maevex 6150 quad 4K encoder, Maevex 6120 delivers simultaneous dual 4K capture, stream, and record—with options to stream and record even more channels in different configurations—all on a standard one Gigabit Ethernet network.

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