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  • Timecode Display in FCP

    Timecode Display in FCP

    May 21, 2009, 1:37 pm
    Edit Blog looks at how to have a large TC display in FCP.

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  • Other Postings By Member

    • AOTG
      EDITING

      Dede Allen - Little Big Man QT

      July 5, 2010, 1:58 pm
      Dede Allen discusses her emotional engagement with the characters of her work.

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    • AOTG
      EDITING

      Dede Allen and Robert Wise QT

      July 5, 2010, 1:57 pm
      Dede Allen and Robert Wise talk on a panel about their work.

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    • AOTG
      EDITING

      Remembering Dede: The Julia Child of the Cutting

      July 5, 2010, 1:53 pm
      I feel so grateful to be able to speak about Dede today. I know many of you knew her well––some for decades, some for a lifetime. It’s Rashomon now. Each of us has his or her own particular vision of her, and every one is true.

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    • AOTG
      EDITING

      HDMI Could be Replaced by HDBaseT

      July 4, 2010, 10:25 am
      HDMI cables could soon be a thing of the past all because of a new more advanced A/V cable standard that goes by the name of HDBaseT.

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    • AOTG
      EDITING

      A Better Editfest

      July 3, 2010, 12:29 pm
      What do you call an energetic gathering of some of the top editors from past and present, East coast and West coast, who finish their day and a half convocation with a mind numbing look at the complexities of editing Cameron's singular Avatar?

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    • MC5 Video Quality Control
      EDITING

      MC5 Video Quality Control

      July 2, 2010, 2:57 pm
      Today’s piece is focused on changing the quality of the clips you are working with in Media Composer. Using the Video Quality Control button, found on the bottom of the sequence window, you can toggle the playback quality of the clip. This works great when you are working off a USB powered drive, editing HD material while on your laptop.

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    • AOTG
      EDITING

      HAS AVID CAUGHT UP TO FCP WITH MC5?

      July 2, 2010, 2:55 pm
      It was only a few years ago that Avid, trying to win back the hearts and minds of customers who were abandoning them and going to Final Cut and other systems, adopted the motto: "We’re Listening." With the release of Media Composer 5, it’s obvious they did.

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    • AOTG
      EDITING

      Post Production Starts in Pre...

      July 2, 2010, 12:30 pm
      It might surprise some to learn that the most important part of post-production for an independent film is the pre-production phase. Before shooting a single frame or pixel, the first decision any independent moviemaker should make is to scout an indie-friendly, post-production facility. Achieving success cannot occur without tediously planning for the end of the production. It becomes increasingly pertinent when working with tighter time constraints and the budget of an independent film...

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    • AOTG
      EDITING

      Intro to the Media Composer 5 Smart Tool

      July 2, 2010, 10:50 am
      Avid’s new version of its Media Composer software, Media Composer 5, has some of the most substantial changes to the product in years. From the ability to access many different media types, including QuickTime and RED files natively (without having to transcode), to support for RTAS audio plug-ins, this new release is poised to be a big success by giving editors more power and flexibility than ever.

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    • Red: MC5 to DS Workflow
      EDITING

      Red: MC5 to DS Workflow

      July 2, 2010, 8:32 am
      With the introduction of AMA support for RED media in Media Composer 5 it has become a easier to edit RED footage in MC, but it’s still not a finishing solution for many jobs. Avid’s DS product, on the other hand, is a great RED finishing tool.

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