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  • FCP Almost Here

    FCP Almost Here

    April 13, 2011, 7:51 am
    My Twitter timeline exploded today at 2PM NZST when Apple took the stage at the NAB Supermeet to announce something special. That something special was, unsurprisingly, FCP X. Needless to say it was well received, but after a flashy demo and thousnads of tweets, what do we know about the new FCP X?

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  • Other Postings By Member

    • AOTG
      VFX

      Tim Crosbie on steering the VFX for ‘The Eight H

      September 30, 2020, 11:39 am
      When Tim Crosbie first signed on as VFX supervisor for Guan Hu’s Chinese war epic The Eight Hundred, he had little inkling the project would end up consuming the next two and a half years of his life.

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    • AOTG
      EDITING

      Switching From Apple Mac Pro 2009 To Mac Mini 2020

      September 30, 2020, 11:38 am
      Korey Pereira whose Dolby Atmos upgrade we featured had to replace his Pro Tools computer in a hurry when his cheese-grater failed unexpectedly. This is the story of what he chose to replace it with so that he could continue working in audio post-production and Dolby Atmos.

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    • AOTG
      VFX

      Mulan - VFX by Image Engine

      September 29, 2020, 4:13 pm
      Image Engine have posted a VFX breakdown for Mulan.

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    • AOTG
      VFX

      Away - VFX Breakdown by DNEG

      September 29, 2020, 4:13 pm
      DNEG have posted a VFX breakdown for Away.

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    • AOTG
      SOUND

      Why Edgar Wright's Films Are Straight Up Sound Por

      September 29, 2020, 4:12 pm
      You don't even need to open your eyes to know when you're watching an Edgar Wright film. The auteur uses sound in such an advantageous way that it propels the story without the audience even recognizing it's there. His movies are layered in rich sound design that is not cacophonous, but instead, moves to the rhythm of the visuals. As much as we pay attention to David Fincher's decisions behind every camera movement, Wright is an aficionado when it comes to understanding how sound can influence story.

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    • AOTG
      VFX

      AN AMERICAN PICKLE: Adam Rowland

      September 29, 2020, 4:12 pm
      In 2013, Adam Rowland explained the work of NVIZ on CAPTAIN PHILLIPS to us. He then worked on various films such as LEGEND, LIFE, THE COMMUTER and JURASSIC WORLD: FALLEN KINGDOM.

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    • AOTG
      VFX

      Get your practical FX fix with this enormous colle

      September 29, 2020, 11:05 am
      Looking for a couple of hours of practical effects and models and miniatures interviews? Then don’t miss director, producer and model maker Berton Pierce’s YouTube channel, which has a whole bunch of segments, excerpts and bonus pieces from his Sense of Scale documentary.

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    • AOTG
      SOUND

      Mixer William B. Kaplan Honored with CAS Career A

      September 29, 2020, 11:05 am
      William Kaplan who has over 106 credits to his name will be honored by the Cinema Audio Society with its highest accolade, a Career Achievement Award.

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    • AOTG
      VFX

      Here's how 'The Drew Barrymore Show' is operating

      September 29, 2020, 11:05 am
      For The Drew Barrymore Show, a set-up established by CBS VFX allows Barrymore to appear on a dynamic set in New York City while her guests appear in real-time from a secure set in Los Angeles. You can see the set-up below, and check out a clip of the show for how the final product looks.

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    • AOTG
      VFX

      Foundry relaxes plugin restrictions on Nuke Indie

      September 25, 2020, 1:32 pm
      Foundry has released Nuke Indie 12.2v3, the latest version of its $499/year edition of the compositing software aimed at freelancers and artists starting up in business for themselves.

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