Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
April 13, 2011, 9:58 pm
There was also Adobe Premiere, and that was OK too, but very few professional editors were using it. Eventually Sony bought a small company in Wisconsin and took over their nascent editing program, which was called Vegas.
July 31, 2020, 1:18 pm
If you’ve been following along with our retro RenderMan series – where we’ve been featuring previously published RenderMan materials – you’ll know that we recently dived into Pixar’s work behind Ratatouille. Now we’re jumping to Andrew Stanton’s Finding Nemo from 2003.
July 30, 2020, 6:30 pm
David Sewell began his career in visual effects with INDEPENDENCE DAY. He then worked in various studios such as Cinesite, The Senate and DNEG. He has worked on many shows including WORLD WAR Z, JOHN CARTER, IN THE HEART OF THE SEA and CHERNOBYL.
July 29, 2020, 1:02 pm
When I bought the first edition of the VES Handbook of Visual Effects, which was released in 2010, it was for a pretty simple reason: nothing else out there had done the job of collecting a whole bunch of practical VFX information in one place. What’s more, a wide range of effects practitioners – those actually working in the field – were contributors.
July 28, 2020, 1:23 pm
To work in another country or to get a work visa, you need to qualify for it. Before an employer can hire you, you have to fit the criteria to get the work visa in the first place. Most of us realize that when it’s too late: When you need the job, or even have the job offer — but we don’t qualify for the visa. Then it’s back to square one.
July 28, 2020, 1:16 pm
Experienced Foley artist Alyson Dee Moore worked on films such as Inception, The Dark Knight, the upcoming Tenet and many (many!) more - and you can learn more about her work and her approach to Foley in this great interview by George Haddad.
July 28, 2020, 1:16 pm
In the first of a series of articles aimed at music mixers who are learning about post production we examine what EQ can and just as importantly cannot do.
Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Ch ...
Gordon sits down with Sam Ejnes, Re-Recording Mixer, and Pete Nichols, SFX Editor, who helped craft the sound for Mythic Ques ...
Kyle Gilman discusses the editing of Unbreakable Kimmy Schmidt: Kimmy Vs. The Reverend. This film is a "Pick your own ad ...
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.