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April 14, 2011, 11:32 am
Philip Hodgetts is known as a writer, presenter and software developer, speaking and writing on topics from creativity to the future of QuickTime and Final Cut Pro. Now on his blog he shared his thoughts on Final Cut Pro X. He feels that on the presentation we got a very brief overview of some key features – the headline stuff – but no real depth as we didn’t even see a single menu being pulled down. However for him, Final Cut Pro X was everything he hoped for and even more:
July 17, 2019, 6:45 am
In the 1990s, traditional 2D animation was in a major state of transition. Digital technologies were allowing animation studios, including Walt Disney Feature Animation, to do things in very different ways. Partly, that came about via Disney’s adoption of the Computer Animation and Production System (CAPS) that had been developed in conjunction with Pixar to aid in digital ink and paint, compositing, and production and library management. By the time The Lion King was released in 1994, CAPS had already been utilized on a number of films, including Rescuers Down Under, Beauty and the Beast and Aladdin.
July 16, 2019, 6:13 am
Before blasting zombie heads for Jim Jarmush for THE DEAD DON’T DIE, Alex Hansson took care of the visual effects of movies such as CHAPPAQUIDDICK, BORG MCENROE and MONKY. He is the founder of the studio Haymaker.
July 16, 2019, 6:13 am
Sydney, Australia, is to be home to Industrial Light & Magic’s fifth production hub. The Disney-owned special effects company currently has facilities in San Francisco, Vancouver, London and Singapore.
Gordon sits down with Michelle Miller to discuss the makeup of PEN15
Gordon sits down with Tony Kearns to discuss editing Black Mirror: Bandersnatch.
Jim Flynn and Gordon sit down to discuss the editing of The Haunting of Hill House.
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