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April 14, 2011, 9:38 pm
I stopped back by the Filmlight tent on the last day of NAB to grab a quick iPhone video demo of Baeslight for FCP at work. After I posted the piece about this plug-in on Monday Filmlight announced that they were developing Baselight for Nuke which continues in that idea of Baselight everywhere. At least everywhere in the post-production pipeline. Baselight for Nuke will be a next step.
October 12, 2020, 3:00 pm
Are you inadvertently clipping your exports from Resolve? I wrote an article about this a while ago, Solutions to Resolve 4: Full data and video levels in DaVinci Resolve – don’t clip your proxies and transcodes. It turns out that this is not the end of the story.
October 9, 2020, 1:24 pm
This week we are featuring DCAM FreeComp a free compressor plug-in from FXpansion.
October 8, 2020, 12:42 pm
In Part 2 of befores & afters’ coverage of HBO Max’s Raised by Wolves, we ask production visual effects supervisor Ray McIntyre Jr. how the creatures seen in the series were realized via on-set suits, and in CG by Pixomondo.
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
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