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April 14, 2011, 9:52 pm
While the press always has taken a keen interest in Avid's announcements and presentations at NAB, this year Avid has been especially proud to host the news crew from the Hank Greenspun School of Journalism and Media Studies at UNLV, who have been covering the show for the university's daily news broadcast, Studio G.
December 26, 2009, 6:01 am
Continuing on an article in the last Pro Video Coalition newsletter, The Basics of Avid Media Composer for a Final Cut Pro Editor, this article will look at a number of other functions and how they differ from Final Cut Pro to Media Composer. One of the main reasons why I’m writing these articles is that Avid offers a free, full-featured demo of Avid Media Composer 4 available for download. When I wrote the first piece that demo was only for 14 days.
December 26, 2009, 5:59 am
Many film-makers have begun to shoot on tapeless media. XDCam Ex, P2, video on DSLRs, Red, AVCHD, hard disk camcorders, and such like. So, naturally, where they would store tapes in a cupboard, they now have all their 'rushes' as digital video files sitting on hard disks.
December 25, 2009, 5:57 am
In part one of Garrett Gilchrist’s interview, veteran British film editor Mick Audsley talked about his work on Terry Gilliam’s upcoming The Imaginarium of Dr. Parnassus. His second collaboration with Gilliam will always be remembered as Heath Ledger’s last film but, according to Aubrey, salvaging both Ledger’s performance and, in the process, the film itself, will serve as a lasting memorial to the actor, who died during production at the age of 28.
December 24, 2009, 5:54 am
One argument I hear against tapeless formats OVER AND OVER again is, to paraphrase, "tapes are infallible. You can’t accidentally delete a clip from a tape. Having a PHYSICAL tape in your hand makes you sure you have the footage and it is there, and usable, and I can see it YEARS from now."
December 23, 2009, 5:52 am
Through both film editing and sound design, Walter Murch has worked literally behind the scenes of Hollywood to give shape and structure to the films we see. In the process, he's won three Academy Awards; he's directed his own feature-length film, the creatively subversive Return to Oz; and he's worked with some of the greatest directors of modern times, including Francis Ford Coppola and George Lucas, on some of their greatest films, from The Godfather trilogy and Apocalypse Now to...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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