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April 19, 2011, 9:25 pm
Grass Valley is introducing a new, tightly integrated modular software platform that supports every part of the content creation and distribution lifecycle through a common graphical user interface. The new Grass Valley STRATUS media workflow application suite leverages a uniquely designed, highly scalable service oriented architecture (SOA) to help all types of program producers and providers streamline their workflows.
March 8, 2010, 11:50 am
Overlap cuts (split edits) are fundamental for any editor. Most people create them in a two-step process, making a straight cut first and then overlapping it using Trim Mode. But there’s a hidden, one-step way to do it.
March 8, 2010, 11:49 am
I was extremely pleased that The Hurt Locker won for both picture editing and sound editing and sound mixing too. This was a picture and sound editor’s movie if there ever was one and it previously won the A.C.E. Eddie award for best feature editing.
March 8, 2010, 11:48 am
The Oscars announced the winners for film editing and the winners are: Chris Innis and Bob Murawski for The Hurt Locker. Congrats to both Chris and Bob as well as the other nominees. To see their thanks you speach and thank you cam click the link below.
March 7, 2010, 11:47 am
There’s a forum topic over at Reduser.net that I’ve been following for quite a while. It’s called new Jamfuze info new Jamfuze info and is a discussion about a Macintosh software product, written by a user, that works to process RED .R3D media into mfx files for direct importing into Avid Media Composer. That thread eventually moved into a discussion of a similar product that might include processing of Canon 7D (and I assume 5D, 1D, Rebel T2i) footage as well. What might become 7Dfuze was born.
March 5, 2010, 11:45 am
Editors Adam Jenkins and Jeff Stevens launched FEEDTHEWALRUS last year as a collective of editors, producers and artists that feeds freelance talent to ad agencies and post studios as teams or individuals.
March 5, 2010, 11:44 am
Screening of "District 9" followed by QandA with Oscar nominated editor Julian Clarke, C.C.E. moderated by Gareth C. Scales complimentary refreshments to follow LIMITED SEATING - rsvp required $5 donation at door suggested Deluxe 424 Adelaide St. E. Toronto RSVP: firstname.lastname@example.org
March 4, 2010, 11:43 am
This is the fifth of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this episode, we’ll transcode Red’s R3Ds to Avid-native DNxHD MXF files using Redcine-X, a free transcoding, grading and editing utility by Red that is available for Mac and Windows. It’s free, it’s easy and it’s fast. So you better check this out.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
Gordon Burkell sits down with Bill Turro to talk about the editing of GLOW on Netflix. This is the first in a three-part seri ...
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