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April 19, 2011, 9:25 pm
Grass Valley is introducing a new, tightly integrated modular software platform that supports every part of the content creation and distribution lifecycle through a common graphical user interface. The new Grass Valley STRATUS media workflow application suite leverages a uniquely designed, highly scalable service oriented architecture (SOA) to help all types of program producers and providers streamline their workflows.
November 21, 2017, 1:58 pm
John Lasseter, the architect of Pixar and Disney’s juggernaut animation operations, is taking a leave of absence from his post effective immediately. He holds the title Chief Creative Officer of Walt Disney and Pixar Animation Studios, and Principal Creative Advisor for Walt Disney Imagineering.
November 21, 2017, 1:57 pm
irector Martin Scorsese has worked with editor Thelma Schoonmaker for four decades, resulting in editing Oscar wins for three of their movies: The Departed, The Aviator, and, the one that cemented the pair’s working relationship, Raging Bull. The meticulous sports opus is one of the most stylish the director’s ever made, with each scene’s craft leaping out of its stark black and white.
November 21, 2017, 11:27 am
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first about the editing of Sicario and the second time about editing Arrival.
November 21, 2017, 11:19 am
Courses have started for the Fall term, but CGMA hasn’t let up on giving students access to the best resources an aspiring artist could ask for. CGMA, one of the leading providers for a digital arts education, has been working hard to make sure students are well-equipped to enter into the industry with all the skills they need. Admissions help, award-winning instructors, and payment plans starting at $50 to claim your seat are just some of the perks of becoming a CGMA student.
November 21, 2017, 6:03 am
When Valerian and the City of a Thousand Planets was released, I got the opportunity to talk to both overall VFX supe Scott Stokdyk and ILM supervisor Philippe Rebours about the Big Market sequence. Now with the film set for home entertainment release, there’s a snippet of one of the featurettes available on the Big Market sequence.
November 20, 2017, 6:42 pm
Race and poverty intertwine in director Dee Rees’ powerful Oscar contender, “Mudbound” — a potential game changer for Netflix. But Rees and her “Pariah” editor Mako Kamitsuna decided early on that their sprawling movie about a black and white family in the 1940s Mississippi Delta was getting lost in the interlocking narratives. They needed to find the connective tissue that united them in their struggle for the American Dream.
November 20, 2017, 12:05 pm
Sometimes, the story of a documentary film is best told by inserting the filmmaker into the tale and onto the screen. This could be due to something the filmmaker experienced, or something they did, or when they serve as a narrator or host. The filmmaker might have a personal connection with the story, or due to budget or access, the film becomes more doable when the filmmaker serves a function onscreen.
Gordon Burkell sits down with William Hoy ACE to discuss editing War of the Planet of the Apes.
Gordon sits down with the directorial team of Christopher Radcliff and Lauren Wolkstein to discuss their first feature film & ...
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first abo ...
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